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Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
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Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury

(more) »rank: 15187

by: Nicholas Folwell, Arthur Sullivan, Marie McLaughlin, Rebecca Evans, Anthony Rolfe Johnson, John Mark Ainsley, Alwyn Mellor, Anne Howells, Barry Banks, Eric Garrett, Felicity Palmer, Gareth Rhys Davies, Janice Watson, Julie Gossage, Neill Archer, Pamela Helen Stephen, Peter Savidge, Richard Stuart, Richard Suart, Richard Van Allan, Sir Thomas Allen [baritone], Sir Charles Mackerras, Welsh National Opera




Gilbert & Sullivan: The Yeomen of the Guard; Trial by Jury
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Gilbert & Sullivan: The Yeomen of the Guard; Trial by Jury

(more) »rank: 57533

from: Telarc


: :The Yeoman of the Guard' is the 'serious' Gilbert and Sullivan operetta, a comic work that actually ends tragically. Trial by Jury, by contrast, is a one-act farce that initiated Sullivan's association with Gilbert, and which deals with one of their stock gags: a woman of mature years and less than compelling looks seeks to trap a younger man into fulfilling a marriage vow. Charles Mackerras is the world's foremost expert on Sullivan. He even concocted a delightful ballet called Pineapple Poll to a plot by Gilbert, with music taken from the operettas. His performances of these two delightful works are as fine ...

Gilbert and Sullivan / Mackerras, Welsh National Opera
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Gilbert and Sullivan / Mackerras, Welsh National Opera

(more) »rank: 62663

by: Sir Charles Mackerras, Welsh National Opera, Richard Suart


: :The Yeoman of the Guard' is the 'serious' Gilbert and Sullivan operetta, a comic work that actually ends tragically. Trial by Jury, by contrast, is a one-act farce that initiated Sullivan's association with Gilbert, and which deals with one of their stock gags: a woman of mature years and less than compelling looks seeks to trap a younger man into fulfilling a marriage vow. Charles Mackerras is the world's foremost expert on Sullivan. He even concocted a delightful ballet called Pineapple Poll to a plot by Gilbert, with music taken from the operettas. His performances of these two delightful works are as fine ...


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Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts School of Witchcraft and Wizardry face a new and daunting challenge: Sirius Black (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry (the fast-growing Daniel Radcliffe) and his third-year Hogwarts classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's boundless imagination (loyally adapted by ace screenwriter Steve Kloves), The Prisoner of Azkaban is a Potter-movie classic. --Jeff Shannon

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Mellor,Music Alwyn
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