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Luciano Pavarotti: The Best (Farewell Tour)(more) »rank: 511from: Decca
: :Anyone discovering this album who had never heard or heard of Luciano Pavarotti would immediately recognize greatness, a one-of-a-kind, one-per-generation (maybe) talent and personality that commands attention, respect, and yes, even love. These 35 selections are an astonishing achievement: Taken, for the most part from the tenor's prime--the 1970s and '80s (although there are four earlier and three from 2003)--what we hear is golden tone, impeccable diction, an innate sense of style and line and where the music should be going, absolutely natural phrasing, an evenness of production from C to (shining) C, and an ability to communicate warmth, passion, and ... |
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The Time-Life Treasury of Christmas(more) »rank: 1368from: Time Life Records
: :Anyone discovering this album who had never heard or heard of Luciano Pavarotti would immediately recognize greatness, a one-of-a-kind, one-per-generation (maybe) talent and personality that commands attention, respect, and yes, even love. These 35 selections are an astonishing achievement: Taken, for the most part from the tenor's prime--the 1970s and '80s (although there are four earlier and three from 2003)--what we hear is golden tone, impeccable diction, an innate sense of style and line and where the music should be going, absolutely natural phrasing, an evenness of production from C to (shining) C, and an ability to communicate warmth, passion, and ... |
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The Three Tenors Christmas(more) »rank: 1312by: Pavarotti, Domingo, Carreras
: :Resplendent in voice and manner, José Carreras, Placido Domingo, and Luciano Pavarotti deliver 21 songs of traditional sacred music and secular numbers in a remarkable 1999 live recording from the opulent Viennese concert hall (Konzerthaus), with the Vienna Symphony Orchestra and a renowned choir. The Three Tenors are practically as famous as the faces of Mount Rushmore and inspire perhaps even more awe and adulation around the world than the four presidents. The performances--whether alone, in tandem, or simply as the threesome that has made them collectively famous--are generally impeccable for their passion, nuance, and sheer tour de force vocal artistry. ... |
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The #1 Opera Album(more) »rank: 3004by: Giacomo Puccini, Giuseppe Verdi, Léo Delibes, Georges Bizet, Umberto Giordano, Wolfgang Amadeus Mozart, Richard Wagner, Gioachino Rossini, Alfredo Catalani, Jacques Offenbach, Ruggiero Leoncavallo, Charles Gounod, Gaetano Donizetti, Pietro Mascagni, Antonin Dvorak, Richard Bonynge, Herbert von Karajan, Alberto Erede, Lamberto Gardelli, Giuseppe Patane, John Mauceri, Zubin Mehta, Charles Dutoit, Gyorgy Fischer, Riccardo Chailly, Istvan Kertesz, Leone Magiera, Evelino Pido, Gianandrea Gavazzeni, Renée Fleming, Cecilia Bartoli, Luciano Pavarotti, Jussi Bjorling, Renata Tebaldi
: :The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other ... |
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The Most Famous Opera Duets(more) »rank: 3055from: EMI Classics
: :This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore 'Miserere' (with Leontyne Price and Franco Bonisolli singing up a storm). There are many others, too--a veritable cornucopia of couplings--and ... |
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2001: A Space Odyssey - Original Motion Picture Soundtrack (1996 Reissue)(more) »rank: 4240from: Word Entertainment
: :This commemorative reissue of music from 2001: A Space Odyssey combines the Also sprach Zarathustra theme, various Johann and Richard Strauss segments, and a ballet suite by Aram Khachaturian--all of which prove how much Stanley Kubrick's film attempts to avoid the soundtrack clichés of most science-fiction movies. Instead of the expected sci-fi effects, there is a more ironic application of music that would be otherwise incongruous to the celestial settings. Here, 'The Blue Danube' complements scenes involving weightlessness and descending spacecraft, while Gyorgy Ligeti's creepy 'monolith' music connotes Armageddon more than interplanetary exploration. The tracks play as they had appeared on ... |
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Rapture: Opera's Most Heavenly Moments(more) »rank: 5459from: Deutsche Grammophon
: :This commemorative reissue of music from 2001: A Space Odyssey combines the Also sprach Zarathustra theme, various Johann and Richard Strauss segments, and a ballet suite by Aram Khachaturian--all of which prove how much Stanley Kubrick's film attempts to avoid the soundtrack clichés of most science-fiction movies. Instead of the expected sci-fi effects, there is a more ironic application of music that would be otherwise incongruous to the celestial settings. Here, 'The Blue Danube' complements scenes involving weightlessness and descending spacecraft, while Gyorgy Ligeti's creepy 'monolith' music connotes Armageddon more than interplanetary exploration. The tracks play as they had appeared on ... |
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The Most Relaxing Classical Album In the World Ever, Volume II(more) »rank: 15738by: Gabriel Faure, Frederic Chopin, Antonio Vivaldi, Gustav Mahler, Claude Debussy, Sir Neville Marriner, Maris Jansons, Lorin Maazel, Sir Adrian Boult, Miklos Rozsa, Riccardo Muti, Stephen Cleobury, Sir John Barbirolli, New Philharmonia Orchestra, Philharmonia Orchestra & Chorus, Academy of St. Martin in the Fields, Berlin Philharmonic
: :This commemorative reissue of music from 2001: A Space Odyssey combines the Also sprach Zarathustra theme, various Johann and Richard Strauss segments, and a ballet suite by Aram Khachaturian--all of which prove how much Stanley Kubrick's film attempts to avoid the soundtrack clichés of most science-fiction movies. Instead of the expected sci-fi effects, there is a more ironic application of music that would be otherwise incongruous to the celestial settings. Here, 'The Blue Danube' complements scenes involving weightlessness and descending spacecraft, while Gyorgy Ligeti's creepy 'monolith' music connotes Armageddon more than interplanetary exploration. The tracks play as they had appeared on ... |
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The Ultimate Puccini Collection(more) »rank: 5857by: Giacomo Puccini, Herbert von Karajan, Riccardo Chailly, Stephen Barlow, Tullio Serafin, Lorin Maazel, Sir Edward Downes, Giuseppe Patane, Zubin Mehta, Alberto Erede, John Mauceri, Plácido Domingo, José Carreras, Kiri Te Kanawa, John Alldis Choir, Luciano Pavarotti, London Philharmonic Orchestra, Bologna Community Theater Orchestra, Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Fernando Corena, Cesare Siepi, Renata Tebaldi, Gianna D'Angelo, Saint Cecilia Academy Orchestra, Franco Corelli, Alfredo Mariotti, Regine Crespin, Royal Opera House Orchestra Covent Garden, London Symphony Orchestra, Maggio Musicale Fiorentino Orchestra, Rome Opera House Orchestra, Pilar Lorengar, Berlin Philharmonic Brass Ensemble, Mirella Freni, Rolando Panerai, Jussi Bjorling, Leontyne Price, Vienna Philharmonic Orchestra
: essential recording:Ordinarily, it pays to be wary of collections such as these, which often promise a lot but deliver a mishmash of disconnected excerpts. This disc, however, is something of an exception: you really do get just about all of Puccini's best arias, which is possible, because he didn't write so many operas that choosing the best moments becomes a matter of the producer's personal taste. Also, Puccini's operas are so popular that every major label has excellent complete recordings of all of them, so in making this compilation it was possible to cast from strength: all the singers here ... |
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Rachmaninoff: Concerto No. 3 in D minor, Op. 30 / Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23(more) »rank: 4933by: Berlin Radio Symphony Orchestra, Riccardo Chailly, Martha Argerich, Peter Ilyich Tchaikovsky, Kirill Kondrashin
: essential recording:This is madness in action. Martha Argerich's Rachmaninoff Third is the fastest and most physically exciting you'll ever hear. She's recorded live, and the balances are a little strange as a result. You can also tell that Riccardo Chailly and his orchestra are having a hell of time trying to keep up with her, while anticipating what she's about to do next--but so what? This is as close as you can come to an experience of spontaneous combustion, and survive. The Tchaikovsky is, if possible, even wilder, with quite a few missed notes. But with an artist like Argerich, ... |

All three principals sing eloquently and with a fine sense of the opera's structure and context. Anna Tomowa-Sintow is in even better voice than Domingo, and Giorgio Zancanaro heads an expert supporting cast. The Covent Garden Chorus, directed with distinction by Michael Hampe, gives a memorable impression of the revolutionary mob. Julius Rudel's conducting is totally idiomatic. --Joe McLellan

Lotfi Mansouri spared no effort or expense in making this production special. He personally directed the staging, and handpicked an outstanding cast (right down to the very young and then-unknown Ben Heppner in the small role of Hervey). The visual elements--sets, costumes, and camera work--are also handled with great care, and Sutherland's positive response to this dedication can be sensed in her performance as the unfortunate wife of King Henry VIII. James Morris is best-known as a Wagnerian singer--perhaps the leading Wotan of our time--but he is equally at home in many of the villainous roles that are the fate of bass- baritones (Iago, Scarpia, Don Giovanni). In this sinister tale of an innocent woman ruthlessly destroyed, he shows a surprising knack for the bel canto style. Judith Forst is also excellent in the role of Jane Seymour. --Joe McLellan