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White Christmas: A Christmas Festival(more) »rank: 31767from: Deutsche Grammophon
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Devil's Dance(more) »rank: 55858from: Deutsche Grammophon
: :Though it's haunted by goblins, ghosts, and monsters, it is hard to find anything very satanic in much of this music, except its fiendishly difficult pyrotechnics. Its sole purpose is to display Gil Shaham's devilishly dazzling virtuosity, glorious tone, elegance, humor, and bewitching charm. The only substantial piece is Tartini's 'Devil's Trill Sonata,' in Kreisler's edition complete with his long, diabolically strenuous cadenza; Shaham plays it very beautifully, with genuine, moving expressiveness. Elsewhere, his tongue is never far from his cheek, whether he is tossing off Bazzini's 'Rondo de Lutins' perfectly at top speed, or having fun with the fireworks of Korngold's 'Caprice ... |
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Tchaikovsky: Symphony No.6 (Pathétique)(more) »rank: 58793from: Deutsche Grammophon
: :Though it's haunted by goblins, ghosts, and monsters, it is hard to find anything very satanic in much of this music, except its fiendishly difficult pyrotechnics. Its sole purpose is to display Gil Shaham's devilishly dazzling virtuosity, glorious tone, elegance, humor, and bewitching charm. The only substantial piece is Tartini's 'Devil's Trill Sonata,' in Kreisler's edition complete with his long, diabolically strenuous cadenza; Shaham plays it very beautifully, with genuine, moving expressiveness. Elsewhere, his tongue is never far from his cheek, whether he is tossing off Bazzini's 'Rondo de Lutins' perfectly at top speed, or having fun with the fireworks of Korngold's 'Caprice ... |
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Baroque for Beauty Sleep: Sweet Dreams for Beautiful Dreamers(more) »rank: 54872from: Philips
: :Though it's haunted by goblins, ghosts, and monsters, it is hard to find anything very satanic in much of this music, except its fiendishly difficult pyrotechnics. Its sole purpose is to display Gil Shaham's devilishly dazzling virtuosity, glorious tone, elegance, humor, and bewitching charm. The only substantial piece is Tartini's 'Devil's Trill Sonata,' in Kreisler's edition complete with his long, diabolically strenuous cadenza; Shaham plays it very beautifully, with genuine, moving expressiveness. Elsewhere, his tongue is never far from his cheek, whether he is tossing off Bazzini's 'Rondo de Lutins' perfectly at top speed, or having fun with the fireworks of Korngold's 'Caprice ... |
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The Mighty Tubadours(more) »rank: 8343from: Crystal Records
: :Though it's haunted by goblins, ghosts, and monsters, it is hard to find anything very satanic in much of this music, except its fiendishly difficult pyrotechnics. Its sole purpose is to display Gil Shaham's devilishly dazzling virtuosity, glorious tone, elegance, humor, and bewitching charm. The only substantial piece is Tartini's 'Devil's Trill Sonata,' in Kreisler's edition complete with his long, diabolically strenuous cadenza; Shaham plays it very beautifully, with genuine, moving expressiveness. Elsewhere, his tongue is never far from his cheek, whether he is tossing off Bazzini's 'Rondo de Lutins' perfectly at top speed, or having fun with the fireworks of Korngold's 'Caprice ... |
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Infernal Violins(more) »rank: 71989from: Analekta
:Album Description:This mischievious recital celebrates works inspired by the Devil: from Tartini's Devil's Trill, written after the composer dreamt that he had sold his soul to the Devil, to the infernal whirlwinds of Saint-Saën's Danse Macabre and Dompierre's Les Beautés du diable, composed specifically for La Pietà. It also pays homage to Paganini, the famed violinist who once confided to a friend that the Devil led him by the hand. This program shows an impish sense of humor as well... it features a unique arrangement of The Rolling Stones' Paint it Black and Sympathy for the Devil! • Angèle Dubeau is one of ... |
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Tchaikovsky: Serenade for Strings(more) »rank: 26347from: Naxos
:Album Description:This mischievious recital celebrates works inspired by the Devil: from Tartini's Devil's Trill, written after the composer dreamt that he had sold his soul to the Devil, to the infernal whirlwinds of Saint-Saën's Danse Macabre and Dompierre's Les Beautés du diable, composed specifically for La Pietà. It also pays homage to Paganini, the famed violinist who once confided to a friend that the Devil led him by the hand. This program shows an impish sense of humor as well... it features a unique arrangement of The Rolling Stones' Paint it Black and Sympathy for the Devil! • Angèle Dubeau is one of ... |
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Cornet Favorites(more) »rank: 115168from: Nonesuch
:Album Description:This mischievious recital celebrates works inspired by the Devil: from Tartini's Devil's Trill, written after the composer dreamt that he had sold his soul to the Devil, to the infernal whirlwinds of Saint-Saën's Danse Macabre and Dompierre's Les Beautés du diable, composed specifically for La Pietà. It also pays homage to Paganini, the famed violinist who once confided to a friend that the Devil led him by the hand. This program shows an impish sense of humor as well... it features a unique arrangement of The Rolling Stones' Paint it Black and Sympathy for the Devil! • Angèle Dubeau is one of ... |
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Artists Of The Century - Jussi Bjorling, The Ultimate Collection(more) »rank: 20978from: RCA
: :Surely Björling was one of the greatest tenors of his or any other time, not only for the clarion ring, the purity, and the melting lyricism of his voice, but for his effortless lightness, impeccable intonation, endless breath control, and natural phrasing and line, enhanced by old-fashioned but wonderfully expressive scoops and slides. On this generous two-disc set, he is heard in a huge selection of arias and some duets with distinguished colleagues; most of them were recorded separately, and a few are excerpted from complete opera recordings--unfortunately not very skillfully, stopping abruptly in mid-phrase if not mid-note. No matter; the miraculous thing ... |
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The Best Baroque Album in the World ... Ever!(more) »rank: 10322from: EMI Classics
: :Surely Björling was one of the greatest tenors of his or any other time, not only for the clarion ring, the purity, and the melting lyricism of his voice, but for his effortless lightness, impeccable intonation, endless breath control, and natural phrasing and line, enhanced by old-fashioned but wonderfully expressive scoops and slides. On this generous two-disc set, he is heard in a huge selection of arias and some duets with distinguished colleagues; most of them were recorded separately, and a few are excerpted from complete opera recordings--unfortunately not very skillfully, stopping abruptly in mid-phrase if not mid-note. No matter; the miraculous thing ... |
