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Christmas Day in the Morning(more) »rank: 60055from: Collegium
:Album Description:Twenty-three carols, remarkably sung, including I Saw Three Ships, Un Flambeau Jeanette Isabelle, We Wish You A Merry Christmas, plus Rutter’s own Star Carol and Shepherd’s Pipe Carol. 'First rate. The Cambridge Singers have done it again.' – Classics Today |
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Classical Masterpieces of the Millennium [20 CD Set](more) »rank: 43380from: Delta
:Album Description:An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte. |
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Berlin: Songs of Love and War(more) »rank: 45303from: Winter & Winter
:Album Description:Several years ago, the Brooklyn Academy of Music asked Theo Bleckmann to put together an evening of WWII German music. Fumio Yasuda adapted and arranged the songs especially for this album. |
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Punishing Kiss(more) »rank: 119878from: Decca
: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ... |
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Mad about The Classics(more) »rank: 63384from: Deutsche Grammophon
: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ... |
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Trumpet Spectacular(more) »rank: 22364from: Telarc
: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ... |
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Tchaikovsky, Wienawski, Brahms, Schumann: Violin Concertos(more) »rank: 73244from: Decca
: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ... |
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Britten & Walton: Violin & Viola Concertos; Maxim Vengerov(more) »rank: 91921by: Maxim Vengerov, Benjamin Britten, Sir William Walton, London Symphony Orchestra, Mstislav Rostropovich
: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ... |
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Teresa Stratas - The Unknown Kurt Weill(more) »rank: 26430from: Nonesuch
: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ... |
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Korngold: Concerto; Rózsa: Concerto; Tema con variazioni; Waxman: 'Carmen' Fantasy(more) »rank: 85196from: RCA
: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ... |



