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Christmas Day in the Morning
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Christmas Day in the Morning

(more) »rank: 60055

from: Collegium


:Album Description:Twenty-three carols, remarkably sung, including I Saw Three Ships, Un Flambeau Jeanette Isabelle, We Wish You A Merry Christmas, plus Rutter’s own Star Carol and Shepherd’s Pipe Carol. 'First rate. The Cambridge Singers have done it again.' – Classics Today

Classical Masterpieces of the Millennium [20 CD Set]
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Classical Masterpieces of the Millennium [20 CD Set]

(more) »rank: 43380

from: Delta


:Album Description:An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Berlin: Songs of Love and War
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Berlin: Songs of Love and War

(more) »rank: 45303

from: Winter & Winter


:Album Description:Several years ago, the Brooklyn Academy of Music asked Theo Bleckmann to put together an evening of WWII German music. Fumio Yasuda adapted and arranged the songs especially for this album.

Punishing Kiss
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Punishing Kiss

(more) »rank: 119878

from: Decca


: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ...

Mad about The Classics
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Mad about The Classics

(more) »rank: 63384

from: Deutsche Grammophon


: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ...

Trumpet Spectacular
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Trumpet Spectacular

(more) »rank: 22364

from: Telarc


: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ...

Tchaikovsky, Wienawski, Brahms, Schumann: Violin Concertos
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Tchaikovsky, Wienawski, Brahms, Schumann: Violin Concertos

(more) »rank: 73244

from: Decca


: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ...

Britten & Walton: Violin & Viola Concertos; Maxim Vengerov
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Britten & Walton: Violin & Viola Concertos; Maxim Vengerov

(more) »rank: 91921

by: Maxim Vengerov, Benjamin Britten, Sir William Walton, London Symphony Orchestra, Mstislav Rostropovich


: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ...

Teresa Stratas - The Unknown Kurt Weill
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Teresa Stratas - The Unknown Kurt Weill

(more) »rank: 26430

from: Nonesuch


: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ...

Korngold: Concerto; Rózsa: Concerto; Tema con variazioni; Waxman: 'Carmen' Fantasy
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Korngold: Concerto; Rózsa: Concerto; Tema con variazioni; Waxman: 'Carmen' Fantasy

(more) »rank: 85196

from: RCA


: :Despite her roles in mainstream musicals such as Cats and Chicago, Ute Lemper has never been a typical Broadway baby. Her long association with the works of Kurt Weill and Bertolt Brecht, as well as her one-woman shows based on the repertoires of Edith Piaf and Marlene Dietrich, has always marked her as a maverick in a world overpopulated by bland belters and cute ingénues. Lemper's distinctive voice isn't an instrument for easy listening. At full tilt, it's dangerous and edgy. In subdued mode, it's dark, ironic, and despairing. The cruelty that runs through many of her interpretations is taken on ...


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Digital Cams Shopreview









$21.99



For those who haven't noticed (a group that apparently includes millions of Americans), the sport that we call soccer and the rest of the world calls football is big. Very big. And no one is bigger than Real Madrid, the subject of Real - The Movie. This is the soccer equivalent of the New York Yankees, a rich, perennially successful club that features many of the biggest stars in the world; as of 2005, when the film was released, players included England's David Beckham and Michael Owen, Brazil's Ronaldo and Roberto Carlos, Portugal's Luis Figo, and France's Zinedine Zidane (who notoriously head-butted an Italian opponent in the 2006 World Cup final). All of them can be seen in the quasi-documentary sections of the film, as Real prepares for a climactic match against rival Barcelona. Scenes of the players practicing, the coaches strategizing, and the match itself are well done, with crisp cinematography, occasional use of animation and other effects, and an overall kinetic feeling well suited to the sport. But director Borja Manso also wants Real - The Movie to explain to the uninitiated just what it is that makes Real such a big deal all around the world. To that end, he incorporates several personal (and fictional) stories: A Tokyo schoolboy distressed over his girlfriend's shrieking obsession with Beckham. A young Madrid history teacher who doesn't understand Real mania, and his neighbor, an elderly woman who's been unable to return to the stadium since her husband passed away. A Senegalese kid dying to go to soccer school. A teenage girl in New York who suffers a severe leg injury during a match and finds inspiration in Ronaldo's rehabilitation after a similar incident. Pretty standard stuff, by and large, and way too on-the-nose to be very compelling. Combine all of that with some newsreel footage from Real's early days and lots of throbbing, thrilling music, and it all amounts to a big, glossy valentine packaged as wholesome family fare. Nothing wrong with that--unless you're a Boston Red Sox fan. --Sam Graham

by Friedrich Nietzsche, Michael Tanner, R. J. Hollingdale
$9.96

Average customer rating: 4.0 ISBN: 0140445145

by James Robert Parish
$11.53

Average customer rating: 4.0 ISBN: 0809222272



The Olsen twins are turning 16, and they're celebrating with this collection of party games and, you guessed it, driving lessons. The good news is that if you can help them get past the obstacles and pass the test, they'll take you out with their new driver's licenses to a variety of fun minigame activities, like rock climbing, riding Jet Skis, surfing, ATV quad racing, and shopping for clothes. Earn points in the party games and spend them to upgrade the car and unlock cool tunes and cooler outfits.



It's not very often that a game aims to be fun and realistic while instilling a sense of personal involvement and responsibility. Mary-Kate and Ashley: Winners Circle does that within the theme of horseback riding. Players compete in such equestrian events as dressage, jumping, and cross-country, and learn the basics of caring for a horse. The game offers a practice mode, which lets riders master the controls and explore a course before entering events, and an adventure mode with large forest and island levels where players can play minigames or just simply explore.

Music,Classical Classical
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