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Britten & Walton: Violin & Viola Concertos; Maxim Vengerov
(more) »rank: 81729by: Maxim Vengerov, Benjamin Britten, Sir William Walton, London Symphony Orchestra, Mstislav Rostropovich
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Rule Britannia and Other Music from Last Night of the Proms
(more) »rank: 103274from: Naxos
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Legacy of an Artist
(more) »rank: 33180from: Summit(Classical)
:Album Description:Historic recordings 1954-1967. The goal of this project, and its earlier companion CD, is to preserve a legacy of impeccable artistry, musicianship, and teaching. Arnold Jacobs was more than a teacher. He was a master performer--an artist in every sense of the word--who taught musicianship at such an elevated level that he made it simple and pure. In so doing, he influenced the careers of the world's finest tubists and countless other wind players in the twentieth century.
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Portrait of an Artist: Arnold Jacobs
(more) »rank: 29414from: Summit(Classical)
:Album Description:Historic recordings 1954-1967. The goal of this project, and its earlier companion CD, is to preserve a legacy of impeccable artistry, musicianship, and teaching. Arnold Jacobs was more than a teacher. He was a master performer--an artist in every sense of the word--who taught musicianship at such an elevated level that he made it simple and pure. In so doing, he influenced the careers of the world's finest tubists and countless other wind players in the twentieth century.
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Deborah Voigt: Obsessions (Wagner & Strauss: Arias and Scenes)
(more) »rank: 128955from: Angel Records
: :Here the beautiful-voiced Deborah Voigt tackles music her sound is made for: big, powerful moments from works of Richard Strauss and Richard Wagner. All 10 selections are handsomely sung, with gleaming, even tone, and some are true standouts. Elisabeth's Greeting from Tannhaeuser is sort of matter-of-fact, but both of Sieglinde's solos from Walküre are filled with urgency and depth and seem to be happening in real time. Ariadne's monolog is suitably ethereal and fantastic (in the true sense of the word) and the 'chunks' from Die Frau ohne Schatten and Chrysothemis's monolog from Elektra, though weird out of context, are vocal showpieces. Her ...
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Essential Violin
(more) »rank: 30036from: Decca
: :Here the beautiful-voiced Deborah Voigt tackles music her sound is made for: big, powerful moments from works of Richard Strauss and Richard Wagner. All 10 selections are handsomely sung, with gleaming, even tone, and some are true standouts. Elisabeth's Greeting from Tannhaeuser is sort of matter-of-fact, but both of Sieglinde's solos from Walküre are filled with urgency and depth and seem to be happening in real time. Ariadne's monolog is suitably ethereal and fantastic (in the true sense of the word) and the 'chunks' from Die Frau ohne Schatten and Chrysothemis's monolog from Elektra, though weird out of context, are vocal showpieces. Her ...
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Best Classics 100 Volume 2
(more) »rank: 47609from: Angel Records
: :Here the beautiful-voiced Deborah Voigt tackles music her sound is made for: big, powerful moments from works of Richard Strauss and Richard Wagner. All 10 selections are handsomely sung, with gleaming, even tone, and some are true standouts. Elisabeth's Greeting from Tannhaeuser is sort of matter-of-fact, but both of Sieglinde's solos from Walküre are filled with urgency and depth and seem to be happening in real time. Ariadne's monolog is suitably ethereal and fantastic (in the true sense of the word) and the 'chunks' from Die Frau ohne Schatten and Chrysothemis's monolog from Elektra, though weird out of context, are vocal showpieces. Her ...
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World's Greatest Choruses
(more) »rank: 43004from: RCA
: :Here the beautiful-voiced Deborah Voigt tackles music her sound is made for: big, powerful moments from works of Richard Strauss and Richard Wagner. All 10 selections are handsomely sung, with gleaming, even tone, and some are true standouts. Elisabeth's Greeting from Tannhaeuser is sort of matter-of-fact, but both of Sieglinde's solos from Walküre are filled with urgency and depth and seem to be happening in real time. Ariadne's monolog is suitably ethereal and fantastic (in the true sense of the word) and the 'chunks' from Die Frau ohne Schatten and Chrysothemis's monolog from Elektra, though weird out of context, are vocal showpieces. Her ...
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Karajan 100th - Volume 2, Opera and Vocals
(more) »rank: 110691from: EMI Classics
: :Here the beautiful-voiced Deborah Voigt tackles music her sound is made for: big, powerful moments from works of Richard Strauss and Richard Wagner. All 10 selections are handsomely sung, with gleaming, even tone, and some are true standouts. Elisabeth's Greeting from Tannhaeuser is sort of matter-of-fact, but both of Sieglinde's solos from Walküre are filled with urgency and depth and seem to be happening in real time. Ariadne's monolog is suitably ethereal and fantastic (in the true sense of the word) and the 'chunks' from Die Frau ohne Schatten and Chrysothemis's monolog from Elektra, though weird out of context, are vocal showpieces. Her ...
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Arthur Grumiaux: Philips Recordings, 1955-1978
(more) »rank: 131182from: Philips
: :Here the beautiful-voiced Deborah Voigt tackles music her sound is made for: big, powerful moments from works of Richard Strauss and Richard Wagner. All 10 selections are handsomely sung, with gleaming, even tone, and some are true standouts. Elisabeth's Greeting from Tannhaeuser is sort of matter-of-fact, but both of Sieglinde's solos from Walküre are filled with urgency and depth and seem to be happening in real time. Ariadne's monolog is suitably ethereal and fantastic (in the true sense of the word) and the 'chunks' from Die Frau ohne Schatten and Chrysothemis's monolog from Elektra, though weird out of context, are vocal showpieces. Her ...
