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Discover Music of the 20th Century(more) »rank: 76696from: Naxos
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Voices Behind the Iron Curtain: Soviet Singers of the Stalin Era(more) »rank: 165455from: Preiser Records
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Walton: Choral Music(more) »rank: 148697from: Naxos
: :St John's English Choral Music series for Naxos (this Walton disc is No. 4) has won golden opinions (and an award or two), but there has been nothing better than this. With Christopher Robinson nearing the end of his reign in charge of this world-renowned choir, there could hardly be a better testament to his work. The likes of 'Drop, drop slow tears' and 'Set me as a seal' are standards for choirs up and down the land, but pieces such as the remarkable 'The Twelve' and 'Where does the uttered music go?' require a particular virtuosity, which is more than evident here. ... |
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Complete Webern(more) »rank: 66399by: Anton von Webern, Clemens Hagen, David Finckel, Anton Webern, Pierre Boulez, Ensemble InterContemporain, Mary Ann McCormick, Berliner Philharmoniker, Eric Schneider, Gianluca Cascioli, Krystian Zimerman, Oleg Maisenberg, Pierre-Laurent Aimard, Christiane Oelze, Francoise Pollet, Lawrence Dutton, Gidon Kremer, Philip Setzer
: :Pierre Boulez's Complete Webern Edition appears just over two decades after his last traversal. Well, it's not literally complete, but does have enough early works to set the mature ones in the right context. These days, Webern is no longer seen so much as a new music guru as he is a major composer, pure and simple--his expression as concise as it is intense. Performancewise, there's a quality of musicianship here that few previous recordings have matched; familiarity with the idiom certainly plays its part, but so does Boulez's belief that what we're hearing needs to be presented with conviction. Try the Passacaglia, ... |
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Street Scene: An American Opera(more) »rank: 136402from: Sony
: essential recording:Kurt Weill harbored ambitions to compose the great American opera in the public, populist forum of Broadway, much as Gershwin did with Porgy and Bess. He did so in the 1947 Street Scene, which is a three-hour panorama of working-class American life revolving around a woman in an abusive marriage who is murdered for seeking comfort elsewhere. Weill never demonstrated a more remarkable fluency in a range of popular music style, but the piece's somewhat dated (and deliberate) sense of dramaturgy is apparent in this single disc of excerpts, performed in the comparatively reserved Broadway style of the 1940s. Though Langston ... |
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Wagner: Der Ring des Nibelungen(more) »rank: 26299from: EMI Classics
: essential recording:Kurt Weill harbored ambitions to compose the great American opera in the public, populist forum of Broadway, much as Gershwin did with Porgy and Bess. He did so in the 1947 Street Scene, which is a three-hour panorama of working-class American life revolving around a woman in an abusive marriage who is murdered for seeking comfort elsewhere. Weill never demonstrated a more remarkable fluency in a range of popular music style, but the piece's somewhat dated (and deliberate) sense of dramaturgy is apparent in this single disc of excerpts, performed in the comparatively reserved Broadway style of the 1940s. Though Langston ... |
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The Original Jacket Collection: Jascha Heifetz(more) »rank: 35214from: Sony Classics
: essential recording:Kurt Weill harbored ambitions to compose the great American opera in the public, populist forum of Broadway, much as Gershwin did with Porgy and Bess. He did so in the 1947 Street Scene, which is a three-hour panorama of working-class American life revolving around a woman in an abusive marriage who is murdered for seeking comfort elsewhere. Weill never demonstrated a more remarkable fluency in a range of popular music style, but the piece's somewhat dated (and deliberate) sense of dramaturgy is apparent in this single disc of excerpts, performed in the comparatively reserved Broadway style of the 1940s. Though Langston ... |
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Prima Voce Treasury of Opera, Vol. 1(more) »rank: 62090from: Nimbus Records
: :This spectacular collection of more than 90 arias sung by 46 of the greatest singers of the century consists of recordings made between 1906 and 1943. Naturally, they are in far from high fidelity, but this is more charming than disturbing. And all the greats are here: from the tenors Enrico Caruso, Beniamino Gigli, John McCormack, and Jussi Bjoerlong, to the sopranos Rosa Ponselle, Amelita Galli-Curci, Claudia Muzio, and Kirsten Flagstad, to mezzos Conchita Supervia and Ernestine Schumann-Heink, to baritones Giuseppe de Luca and Mattia Battistini, and basses Ezio Pinza and Feodor Chaliapin--to mention a few. The six and a half hours of ... |
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Gotterdammerung(more) »rank: 36082by: Richard Wagner, Wolfgang Windgassen, Birgit Nilsson, Dietrich Fischer-Dieskau, Gottlob Frick, Dame Gwyneth Jones, Christa Ludwig, Gustav Neidlinger, Sir Georg Solti
: :This spectacular collection of more than 90 arias sung by 46 of the greatest singers of the century consists of recordings made between 1906 and 1943. Naturally, they are in far from high fidelity, but this is more charming than disturbing. And all the greats are here: from the tenors Enrico Caruso, Beniamino Gigli, John McCormack, and Jussi Bjoerlong, to the sopranos Rosa Ponselle, Amelita Galli-Curci, Claudia Muzio, and Kirsten Flagstad, to mezzos Conchita Supervia and Ernestine Schumann-Heink, to baritones Giuseppe de Luca and Mattia Battistini, and basses Ezio Pinza and Feodor Chaliapin--to mention a few. The six and a half hours of ... |
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Fright Night: Music that Goes Bump in the Night(more) »rank: 36158from: Sony
: :This spectacular collection of more than 90 arias sung by 46 of the greatest singers of the century consists of recordings made between 1906 and 1943. Naturally, they are in far from high fidelity, but this is more charming than disturbing. And all the greats are here: from the tenors Enrico Caruso, Beniamino Gigli, John McCormack, and Jussi Bjoerlong, to the sopranos Rosa Ponselle, Amelita Galli-Curci, Claudia Muzio, and Kirsten Flagstad, to mezzos Conchita Supervia and Ernestine Schumann-Heink, to baritones Giuseppe de Luca and Mattia Battistini, and basses Ezio Pinza and Feodor Chaliapin--to mention a few. The six and a half hours of ... |