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The Best Opera Album in the World...Ever!(more) »rank: 10740from: Angel Records
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Vision: The Music of Hildegard von Bingen(more) »rank: 13913by: Richard Souther, Emily van Evera, Sister Germaine Fritz
: :'Vision--The Music of Hildegard von Bingen'? Make that 'Hildegard--the Dance Remix.' (Yes, it has been used on the dance floor of at least one New York City nightclub.) What else can you call it when Richard Souther takes the stark, ecstatic plainchant of the 12th-century abbess and adds heavily produced electronic trance-and-dance tracks? Souther's additions aren't bad in themselves--they are a bit New Age-y, yet danceable in a druggy 3:00-a.m. kind of way--but slather them over Hildegard's spare, intense chant melodies and the effect is perverse, if not just silly. Don't blame poor Emily van Evera--she is a fine interpreter of Hildegard, and ... |
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Itzhak Perlman's Greatest Hits, Vol. 2(more) »rank: 20596from: EMI Classics
: :'Vision--The Music of Hildegard von Bingen'? Make that 'Hildegard--the Dance Remix.' (Yes, it has been used on the dance floor of at least one New York City nightclub.) What else can you call it when Richard Souther takes the stark, ecstatic plainchant of the 12th-century abbess and adds heavily produced electronic trance-and-dance tracks? Souther's additions aren't bad in themselves--they are a bit New Age-y, yet danceable in a druggy 3:00-a.m. kind of way--but slather them over Hildegard's spare, intense chant melodies and the effect is perverse, if not just silly. Don't blame poor Emily van Evera--she is a fine interpreter of Hildegard, and ... |
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Christmas Present From Polyphony(more) »rank: 46011by: Polyphony, Stephen Layton
: :'Vision--The Music of Hildegard von Bingen'? Make that 'Hildegard--the Dance Remix.' (Yes, it has been used on the dance floor of at least one New York City nightclub.) What else can you call it when Richard Souther takes the stark, ecstatic plainchant of the 12th-century abbess and adds heavily produced electronic trance-and-dance tracks? Souther's additions aren't bad in themselves--they are a bit New Age-y, yet danceable in a druggy 3:00-a.m. kind of way--but slather them over Hildegard's spare, intense chant melodies and the effect is perverse, if not just silly. Don't blame poor Emily van Evera--she is a fine interpreter of Hildegard, and ... |
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Wagner: The 'Ring' Without Words(more) »rank: 14306from: Telarc
: :'Vision--The Music of Hildegard von Bingen'? Make that 'Hildegard--the Dance Remix.' (Yes, it has been used on the dance floor of at least one New York City nightclub.) What else can you call it when Richard Souther takes the stark, ecstatic plainchant of the 12th-century abbess and adds heavily produced electronic trance-and-dance tracks? Souther's additions aren't bad in themselves--they are a bit New Age-y, yet danceable in a druggy 3:00-a.m. kind of way--but slather them over Hildegard's spare, intense chant melodies and the effect is perverse, if not just silly. Don't blame poor Emily van Evera--she is a fine interpreter of Hildegard, and ... |
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Wagner: The Ring - An Orchestral Adventure [Hybrid SACD](more) »rank: 20885from: Chandos
: :'Vision--The Music of Hildegard von Bingen'? Make that 'Hildegard--the Dance Remix.' (Yes, it has been used on the dance floor of at least one New York City nightclub.) What else can you call it when Richard Souther takes the stark, ecstatic plainchant of the 12th-century abbess and adds heavily produced electronic trance-and-dance tracks? Souther's additions aren't bad in themselves--they are a bit New Age-y, yet danceable in a druggy 3:00-a.m. kind of way--but slather them over Hildegard's spare, intense chant melodies and the effect is perverse, if not just silly. Don't blame poor Emily van Evera--she is a fine interpreter of Hildegard, and ... |
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Wagner: Tristan und Isolde(more) »rank: 7853from: EMI Classics
: essential recording:It's not surprising that this sublime performance of Wagner's Tristan und Isolde has remained on the market for so long: Wilhelm Furtwängler's reading of the tale with Ludwig Suthaus, Dietrich Fischer-Dieskau, and Kirsten Flagstad is probably definitive. The conductor is peerless at achieving a strong sense of direction throughout the epic length. Carlos Kleiber's controversial version with the Dresden State Orchestra might boast orchestral fireworks (abetted by modern recording technology), but if you're looking for a Tristan in which the singing takes center stage, this is the recording to buy. Newly remastered with Abbey Road Technology as part of EMI's Great ... |
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Best Carols 100(more) »rank: 8842from: EMI Classics
:Album Description:2007 release in the Best Classics 100 series, 100 Best Carols is the perfect Christmas release-- six CDs of the most famous carols, all time for the price of one full-priced disc! Among the vocal groups found on this release are the Choir of King's College, Cambridge, the Taverner Choir, the Bach Choir, and the Wiener Sangerknaben, while star soloists include Roberto Alagna, Thomas Hampson, Barbara Hendricks, Hermann Prey, and Kiri Te Kanawa. |
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Classical Music for People Who Hate Classical Music(more) »rank: 11360from: Compendia
:Album Description:2007 release in the Best Classics 100 series, 100 Best Carols is the perfect Christmas release-- six CDs of the most famous carols, all time for the price of one full-priced disc! Among the vocal groups found on this release are the Choir of King's College, Cambridge, the Taverner Choir, the Bach Choir, and the Wiener Sangerknaben, while star soloists include Roberto Alagna, Thomas Hampson, Barbara Hendricks, Hermann Prey, and Kiri Te Kanawa. |
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Twilight of the Gods: The Essential Wagner Collection(more) »rank: 8007from: Deutsche Grammophon
: :If you like your Wagner served up in bleeding chunks or if you're simply in a hurry to hear the tunes, then this compilation is for you. The performances, drawn from the Polygram (mainly Deutsche Grammophon) back catalog, are for the most part authoritative. They feature the likes of Herbert von Karajan, with the Berlin Philharmonic, and Karl Böhm, with the Bayreuth Festival Orchestra (and chorus), in extracts from recordings of complete operas, and conductors Giuseppe Sinopoli, Otto Gerdes, and Antal Doráti in some of the more familiar overtures and preludes. Singing, without which it is impossible to get the full flavor of ... |