Bestsellers > Classical Music > Forms and Genres
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Vaughan Williams: The Collector's Edition(more) »rank: 8724from: EMI Classics
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Beethoven for Babies(more) »rank: 10400from: Philips
: :For the parent looking to ease their child into a familiarity with classical music, this is a very well chosen set of Beethoven works. It begins with a generous selection of airs composed late in the composer's life. The presence of the flute as the lead instrument on these selections has a soothing quality that moves the ear in an ideally subtle way, especially as it gives way to the more excited piano sonata pieces. Zoltán Kocsis's reading of 'Pathétique' is followed by Claudio Arrau's take on the 7th, 15th, and 18th sonatas and Sviatoslav Richter's lyrical take on the 20th ('Pastoral'). Programmed ... |
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American Spirit(more) »rank: 7077by: Mannheim Steamroller
: :For the parent looking to ease their child into a familiarity with classical music, this is a very well chosen set of Beethoven works. It begins with a generous selection of airs composed late in the composer's life. The presence of the flute as the lead instrument on these selections has a soothing quality that moves the ear in an ideally subtle way, especially as it gives way to the more excited piano sonata pieces. Zoltán Kocsis's reading of 'Pathétique' is followed by Claudio Arrau's take on the 7th, 15th, and 18th sonatas and Sviatoslav Richter's lyrical take on the 20th ('Pastoral'). Programmed ... |
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Sacred Songs(more) »rank: 5647from: Decca
: : This lovely CD features Renée Fleming singing religious music in an unaffected, lovely manner. Many favorites are here: both the Bach/Gounod and Schubert versions of 'Ave Maria,' each offered with long breaths and soft tone; 'Rejoice Greatly' from Messiah, delivered with virtuosity and gleaming sound, and 'He Shall Feed His Flock,' also from Messiah, sung in a smooth, laid-back manner. Bits of the Fauré Requiem and Poulenc Gloria are welcome, as is the gorgeous 'L'Adieu des Bergers' from L'Enfance du Christ. In the prayer from Humperdinck's Hansel und Gretel, Fleming is joined by the splendid Susan Graham, and a version of 'Amazing ... |
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Bach & Beyond - Gabriela Montero(more) »rank: 17792from: EMI Classics
: : Taking as her base 12 works of Bach, Venezuelan pianist Gabriela Montero proceeds to play variations on each. The works are familiar and most Classical fans will recognize their melodies instantly. But Montero, who is closer to a jazz improvisationalist than a classical pianist merely embellishing, alters rhythm as well as melody, and the results are invariably both surprising and delightful. The Presto from the Italian Concerto is positively wacky, but 'Jesu, Joy of Man's Desiring' sticks to the piece's mood with truth and originality. Montero plays 'beyond' Bach with good taste and respect, and always with intense musicality. The results may ... |
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Schubert: The Complete Impromptus(more) »rank: 6690by: Franz Schubert, Alfred Brendel
: : Taking as her base 12 works of Bach, Venezuelan pianist Gabriela Montero proceeds to play variations on each. The works are familiar and most Classical fans will recognize their melodies instantly. But Montero, who is closer to a jazz improvisationalist than a classical pianist merely embellishing, alters rhythm as well as melody, and the results are invariably both surprising and delightful. The Presto from the Italian Concerto is positively wacky, but 'Jesu, Joy of Man's Desiring' sticks to the piece's mood with truth and originality. Montero plays 'beyond' Bach with good taste and respect, and always with intense musicality. The results may ... |
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Kapell Rediscovered(more) »rank: 3175from: RCA
: : Taking as her base 12 works of Bach, Venezuelan pianist Gabriela Montero proceeds to play variations on each. The works are familiar and most Classical fans will recognize their melodies instantly. But Montero, who is closer to a jazz improvisationalist than a classical pianist merely embellishing, alters rhythm as well as melody, and the results are invariably both surprising and delightful. The Presto from the Italian Concerto is positively wacky, but 'Jesu, Joy of Man's Desiring' sticks to the piece's mood with truth and originality. Montero plays 'beyond' Bach with good taste and respect, and always with intense musicality. The results may ... |
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Hilary Hahn ~ Beethoven - Violin Concerto · Bernstein - Serenade(more) »rank: 20826by: Ludwig van Beethoven, Leonard Bernstein, David Zinman, Hilary Hahn, Baltimore Symphony Orchestra
: : Taking as her base 12 works of Bach, Venezuelan pianist Gabriela Montero proceeds to play variations on each. The works are familiar and most Classical fans will recognize their melodies instantly. But Montero, who is closer to a jazz improvisationalist than a classical pianist merely embellishing, alters rhythm as well as melody, and the results are invariably both surprising and delightful. The Presto from the Italian Concerto is positively wacky, but 'Jesu, Joy of Man's Desiring' sticks to the piece's mood with truth and originality. Montero plays 'beyond' Bach with good taste and respect, and always with intense musicality. The results may ... |
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Karl Jenkins: Diamond Music(more) »rank: 5747from: Sony
: : Taking as her base 12 works of Bach, Venezuelan pianist Gabriela Montero proceeds to play variations on each. The works are familiar and most Classical fans will recognize their melodies instantly. But Montero, who is closer to a jazz improvisationalist than a classical pianist merely embellishing, alters rhythm as well as melody, and the results are invariably both surprising and delightful. The Presto from the Italian Concerto is positively wacky, but 'Jesu, Joy of Man's Desiring' sticks to the piece's mood with truth and originality. Montero plays 'beyond' Bach with good taste and respect, and always with intense musicality. The results may ... |
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Rachmaninov: Piano Concertos Nos. 1 - 4(more) »rank: 7808from: Decca
: : Taking as her base 12 works of Bach, Venezuelan pianist Gabriela Montero proceeds to play variations on each. The works are familiar and most Classical fans will recognize their melodies instantly. But Montero, who is closer to a jazz improvisationalist than a classical pianist merely embellishing, alters rhythm as well as melody, and the results are invariably both surprising and delightful. The Presto from the Italian Concerto is positively wacky, but 'Jesu, Joy of Man's Desiring' sticks to the piece's mood with truth and originality. Montero plays 'beyond' Bach with good taste and respect, and always with intense musicality. The results may ... |