Bestsellers > Classical Music > Fantasies
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Bach Performance on the Piano [DVD Video](more) »rank: 22758from: Hyperion UK
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Brahms: Concertos for Piano No. 1 & 2, Fantasia Op. 116(more) »rank: 16948by: Eugen Jochum, Ottomar Borwitzky, Emil Gilels
: :These performances mount the only serious competition as a complete set to the Leon Fleisher/George Szell versions on Sony Classical. Emil Gilels was an extraordinary virtuoso who decided to place his technical wizardry in the service of the most disciplined and demanding classical masterpieces. No piano concertos live up to this description more than the two by Brahms. Himself a pianist, Brahms placed every purely musical stumbling block that he could in front of the soloist--only audiences never notice because there's no gratuitous display at all. A performer who has not mastered these pieces doesn't necessarily miss notes; he or she just bores ... |
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Stravinsky, Prokofiev, Scriabin, Rachmaninov, Chopin, Bach, Brahms: Alexis Weissenberg - Classic Archive(more) »rank: 30959starring: Brahms, Stravinsky, Prokofiev, Scriabin, Chopin
: :Weissenberg was at the beginning of his substantial international career in these films, mostly made by French television in the 1960s. The one exception is a 1965 version of Stravinsky’s Three Movements from Petrouchka renowned in its time for attempting to mirror the music’s rhythms and moods. Directed by Åke Falck and filmed in a Stockholm studio, the camera is a creative partner with composer and pianist. So all kinds of odd angles are employed. If you want to see what Weissenberg’s chin looks like from the vantage point of the keyboard, here’s your chance. Lighting and backgrounds change often, but there’s an ... |
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The Antiphonal Music of Gabrieli(more) »rank: 35089from: Sony
: :Venice was a good place to be in the 17th century if you liked to hang out in church--not that you had much choice in those days. Gabrieli's reputation rests on his 'polychoral' compositions: works for several choirs, a choir being any size group of voices or instruments. For example, a sacred composition for three choirs might have two brass groups and one chorus, or two choruses and one brass ensemble. The idea was to keep things flexible to allow for changing local conditions. The result, in any case, was a magnificent 'question and answer' style of writing, in which great blocks of ... |
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Mozart: Sonata for 2 Pianos in D Major, K. 448; Schubert: Fantasia for Piano, 4 Hands in F Minor, D 940(more) »rank: 8477from: Sony
: :Venice was a good place to be in the 17th century if you liked to hang out in church--not that you had much choice in those days. Gabrieli's reputation rests on his 'polychoral' compositions: works for several choirs, a choir being any size group of voices or instruments. For example, a sacred composition for three choirs might have two brass groups and one chorus, or two choruses and one brass ensemble. The idea was to keep things flexible to allow for changing local conditions. The result, in any case, was a magnificent 'question and answer' style of writing, in which great blocks of ... |
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Brahms: Works for Solo Piano(more) »rank: 24566from: Decca
: :Venice was a good place to be in the 17th century if you liked to hang out in church--not that you had much choice in those days. Gabrieli's reputation rests on his 'polychoral' compositions: works for several choirs, a choir being any size group of voices or instruments. For example, a sacred composition for three choirs might have two brass groups and one chorus, or two choruses and one brass ensemble. The idea was to keep things flexible to allow for changing local conditions. The result, in any case, was a magnificent 'question and answer' style of writing, in which great blocks of ... |
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Horowitz: The Last Recording(more) »rank: 32560from: Sony
: :Venice was a good place to be in the 17th century if you liked to hang out in church--not that you had much choice in those days. Gabrieli's reputation rests on his 'polychoral' compositions: works for several choirs, a choir being any size group of voices or instruments. For example, a sacred composition for three choirs might have two brass groups and one chorus, or two choruses and one brass ensemble. The idea was to keep things flexible to allow for changing local conditions. The result, in any case, was a magnificent 'question and answer' style of writing, in which great blocks of ... |
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Mozart: Concertos for Two and Three Pianos(more) »rank: 31412from: Sony
: :Radu Lupu and Murray Perahia should have recorded all of Mozart's piano music for four hands, which includes several neglected masterpieces. This disc reflects their ideal partnership, two artists of great sensitivity collaborating in performances that feature constant interplay of parts, alertness to each other's work, and superb playing as individuals. The Concerto for Two Pianos ripples along without a care in the world, just as it should, and the English Chamber Orchestra doesn't seem to care that nobody is conducting it. The pieces without orchestra are a bit less significant (as is the Concerto for Three Pianos), but the playing is so ... |
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Classical Kids: Collection(more) »rank: 63288from: Children's Book Store Distribution
: :Radu Lupu and Murray Perahia should have recorded all of Mozart's piano music for four hands, which includes several neglected masterpieces. This disc reflects their ideal partnership, two artists of great sensitivity collaborating in performances that feature constant interplay of parts, alertness to each other's work, and superb playing as individuals. The Concerto for Two Pianos ripples along without a care in the world, just as it should, and the English Chamber Orchestra doesn't seem to care that nobody is conducting it. The pieces without orchestra are a bit less significant (as is the Concerto for Three Pianos), but the playing is so ... |
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Lang Lang Live at Carnegie Hall(more) »rank: 11949from: Deutsche Grammophon
: :This is a dazzling recital, taped live at Carnegie Hall in November 2003--complete with applause. Lang Lang's virtuosity is almost frightening: the Liszt 'Reminiscenses du Don Juan' is a showpiece when played 'normally.' Here, Lang plays it to its extremes, with soft passages amazingly soft and subtly delineated and the bigger moments heaven-thundering. And it is played so fast, and so accurately (a cascade of notes in mid-'La ci darem la mano' sounds like a waterfall), that it leaves the listener breathless--surely just what Liszt wanted. In a Haydn sonata, Lang's classical line is impeccable, but he's not afraid to shine through the ... |

A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.