Bestsellers > Classical Music > Sacred and Religious

Bestsellers > Classical Music > Sacred and Religious

Berlioz: Requiem Op. 5 'Grande Messe des Morts' [Hybrid SACD]
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Berlioz: Requiem Op. 5 'Grande Messe des Morts' [Hybrid SACD]

(more) »rank: 48353

from: Pentatone




Christmas with Mario Lanza
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Christmas with Mario Lanza

(more) »rank: 27382

from: RCA




Mozart: Requiem
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Mozart: Requiem

(more) »rank: 9911

from: Deutsche Grammophon


: :Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the ...

Allegri: Miserere
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Allegri: Miserere

(more) »rank: 18627

by: Alison Stamp, Tallis Scholars


: :Here's a wonderful introduction to Renaissance choral music, with two tried-and-true repertory standards and the Mundy, a gorgeously sensuous example of a lesser-known mid-16th-century work, whose complex polyphonic strands are rendered with compelling involvement by the Tallis Scholars. These performances were among the group's earliest recordings and helped catapult them into the forefront of specialists in this demanding repertoire. The Allegri became a favorite back in the 1970s, a sort of choral equivalent of Albinoni's Adagio, in which repetition serves as the driving force. The Tallis Scholars give it welcome ...

100 Best Film Classics
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100 Best Film Classics

(more) »rank: 25458

from: Angel Records


: :Here's a wonderful introduction to Renaissance choral music, with two tried-and-true repertory standards and the Mundy, a gorgeously sensuous example of a lesser-known mid-16th-century work, whose complex polyphonic strands are rendered with compelling involvement by the Tallis Scholars. These performances were among the group's earliest recordings and helped catapult them into the forefront of specialists in this demanding repertoire. The Allegri became a favorite back in the 1970s, a sort of choral equivalent of Albinoni's Adagio, in which repetition serves as the driving force. The Tallis Scholars give it welcome ...

Fauré: Requiem; Messe basse; Cantique de Jean Racine
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Fauré: Requiem; Messe basse; Cantique de Jean Racine

(more) »rank: 30963

from: Naxos


: :Here's a wonderful introduction to Renaissance choral music, with two tried-and-true repertory standards and the Mundy, a gorgeously sensuous example of a lesser-known mid-16th-century work, whose complex polyphonic strands are rendered with compelling involvement by the Tallis Scholars. These performances were among the group's earliest recordings and helped catapult them into the forefront of specialists in this demanding repertoire. The Allegri became a favorite back in the 1970s, a sort of choral equivalent of Albinoni's Adagio, in which repetition serves as the driving force. The Tallis Scholars give it welcome ...

Beethoven: Mass in C; Elegiac Song; Calm Sea and Prosperous Voyage
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Beethoven: Mass in C; Elegiac Song; Calm Sea and Prosperous Voyage

(more) »rank: 4138

from: Telarc


: :Here's a wonderful introduction to Renaissance choral music, with two tried-and-true repertory standards and the Mundy, a gorgeously sensuous example of a lesser-known mid-16th-century work, whose complex polyphonic strands are rendered with compelling involvement by the Tallis Scholars. These performances were among the group's earliest recordings and helped catapult them into the forefront of specialists in this demanding repertoire. The Allegri became a favorite back in the 1970s, a sort of choral equivalent of Albinoni's Adagio, in which repetition serves as the driving force. The Tallis Scholars give it welcome ...

Bruckner: Symphonies Nos. 8 & 9; Te Deum [DVD Video]
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Bruckner: Symphonies Nos. 8 & 9; Te Deum [DVD Video]

(more) »rank: 35025

from: Deutsche Grammophon


:Description:Indisputably one of the most important conductors of Anton Bruckner, Herbert von Karajan leads the Vienna Philharmonic with his Symphonies Nos. 8 & 9 and Te Deum. In addition to conducting Karajan also serves as director and artistic supervisor. Bruckner's Symphony No. 8, in an early version from 1887, was recorded live in the spring of 1979 at the splendid Baroque monastery church of St. Florian near Linz, where Bruckner spent many years as a student and teacher in his youth. Bruckner himself regarded the Adagio of his 8th Symphony ...

Ceremonial Music for Trumpet & Symphonic Organ
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Ceremonial Music for Trumpet & Symphonic Organ

(more) »rank: 47319

from: Telarc


:Description:Indisputably one of the most important conductors of Anton Bruckner, Herbert von Karajan leads the Vienna Philharmonic with his Symphonies Nos. 8 & 9 and Te Deum. In addition to conducting Karajan also serves as director and artistic supervisor. Bruckner's Symphony No. 8, in an early version from 1887, was recorded live in the spring of 1979 at the splendid Baroque monastery church of St. Florian near Linz, where Bruckner spent many years as a student and teacher in his youth. Bruckner himself regarded the Adagio of his 8th Symphony ...

Home for Christmas
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Home for Christmas

(more) »rank: 82464

by: Adolphe-Charles Adam, Alice-Charlotte Tegner, Goran Danielsson, Svante Henryson, Jakob Lindberg, Jan Bengston, Ulf Farsberg, Torbjorn Helander, Jansson, Ulrika, Rondin, Mats


: :Christmas albums by opera divas hardly make an exalted genre. Usually they involve overblown arrangements, hackneyed material, and singers sight-reading music they don't particularly like and making lame attempts at singing in English. With all her integrity, Anne Sofie von Otter would never do such a thing, and she hasn't here. This disc is a personal, eclectic mix, with the mezzo-soprano sounding sincere and approachable by sticking to the lower end of her range using small-ensemble arrangements you might hear in an evening sitting around the fire. In fact, rarely ...


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Classical Music - Reviews










by John Steinbeck
$10.88

Average customer rating: 4.5 ISBN: 0142000663
When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak


by W. Stephen Damron
$117.33

Average customer rating: ISBN: 0131189328

by Bill Mollison, Reny Mia Slay

Average customer rating: 5.0 ISBN: 0908228015
$49.99



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