Bestsellers > Classical Music > Sacred and Religious

Bestsellers > Classical Music > Sacred and Religious

Andrea Bocelli - Sacred Arias / Myung-Whun Chung
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Andrea Bocelli - Sacred Arias / Myung-Whun Chung

(more) »rank: 13918

by: George Frideric Handel, Giulio Caccini, Charles Gounod, Franz Schubert, Cesar Franck, Gioachino Rossini, Giuseppe Verdi, Wolfgang Amadeus Mozart, Richard Wagner, Pietro Mascagni, Louis Niedermeyer, Franz Xaver Gruber, John Francis Wade, Jean-Paul Lecot, Myung-Whun Chung, Andrea Bocelli


: :When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize ...

The Time-Life Treasury of Christmas
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The Time-Life Treasury of Christmas

(more) »rank: 3754

from: Time Life Records


: :When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize ...

The Most Relaxing Classical Album In the World Ever, Volume II
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The Most Relaxing Classical Album In the World Ever, Volume II

(more) »rank: 5536

by: Gabriel Faure, Frederic Chopin, Antonio Vivaldi, Gustav Mahler, Claude Debussy, Sir Neville Marriner, Maris Jansons, Lorin Maazel, Sir Adrian Boult, Miklos Rozsa, Riccardo Muti, Stephen Cleobury, Sir John Barbirolli, New Philharmonia Orchestra, Philharmonia Orchestra & Chorus, Academy of St. Martin in the Fields, Berlin Philharmonic


: :When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize ...

Bernstein: Symphony No. 3 ('Kaddish'); Chichester Psalms
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Bernstein: Symphony No. 3 ('Kaddish'); Chichester Psalms

(more) »rank: 10533

from: Sony


: :Leonard Bernstein's Kaddish, Symphony No. 3, from 1963 is probably his most famous. It's dedicated to the memory of John F. Kennedy, and comprises spoken and sung texts from Jewish prayers for the dead. It's quite dramatic, very listenable, and not at all pretentious, as some critics have avowed. It ranks with Shostakovich's harrowing Symphony No. 14 and deserves more attention than it usually gets. Which is damned little. The same goes for Bernstein's Chichester Psalms (1964). It's a very engaging choral work that celebrates the practice of psalmody or choral festivals, a kind of ...

A Festival of Carols in Brass
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A Festival of Carols in Brass

(more) »rank: 5484

from: Sony


: :Leonard Bernstein's Kaddish, Symphony No. 3, from 1963 is probably his most famous. It's dedicated to the memory of John F. Kennedy, and comprises spoken and sung texts from Jewish prayers for the dead. It's quite dramatic, very listenable, and not at all pretentious, as some critics have avowed. It ranks with Shostakovich's harrowing Symphony No. 14 and deserves more attention than it usually gets. Which is damned little. The same goes for Bernstein's Chichester Psalms (1964). It's a very engaging choral work that celebrates the practice of psalmody or choral festivals, a kind of ...

Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott
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Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott

(more) »rank: 3303

by: Giovanni Gabrieli, Claudio Monteverdi, Antonio Vivaldi, Dario Castello, Giovanni Legrenzi, Antonio Lotti, Alessandro Grandi, Andrew Parrott, Choir & Players Taverner Consort


: :Leonard Bernstein's Kaddish, Symphony No. 3, from 1963 is probably his most famous. It's dedicated to the memory of John F. Kennedy, and comprises spoken and sung texts from Jewish prayers for the dead. It's quite dramatic, very listenable, and not at all pretentious, as some critics have avowed. It ranks with Shostakovich's harrowing Symphony No. 14 and deserves more attention than it usually gets. Which is damned little. The same goes for Bernstein's Chichester Psalms (1964). It's a very engaging choral work that celebrates the practice of psalmody or choral festivals, a kind of ...

Mendelssohn: Elijah
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Mendelssohn: Elijah

(more) »rank: 31377

from: EMI Classics


: :Leonard Bernstein's Kaddish, Symphony No. 3, from 1963 is probably his most famous. It's dedicated to the memory of John F. Kennedy, and comprises spoken and sung texts from Jewish prayers for the dead. It's quite dramatic, very listenable, and not at all pretentious, as some critics have avowed. It ranks with Shostakovich's harrowing Symphony No. 14 and deserves more attention than it usually gets. Which is damned little. The same goes for Bernstein's Chichester Psalms (1964). It's a very engaging choral work that celebrates the practice of psalmody or choral festivals, a kind of ...

Handel - Messiah / Ameling · A. Reynolds · Langridge · Howell · Marriner
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Handel - Messiah / Ameling · A. Reynolds · Langridge · Howell · Marriner

(more) »rank: 35712

by: George Frideric Handel, Neville Marriner, Elly Ameling, Philip Langridge, Academy & Chours of St. Martin-in-the-Fields, Anna Reynolds, Gwynne Howell


: :Neville Marriner's 1976 account of the Covent Garden version of the score (1743), with the Academy and Chorus of St. Martin-in-the-Fields and soloists Elly Ameling, Anna Reynolds, Philip Langridge, and Gwynne Howell, is positively plush-sounding but nicely animated. I'd love to have this kind of string tone for, say, the Dvorák Serenade, but for Handel it may be just a bit much. --Ted Libbey

The Knot Collection of Ceremony and Wedding Music Selected by the Knot's Carley Roney
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The Knot Collection of Ceremony and Wedding Music Selected by the Knot's Carley Roney

(more) »rank: 12297

by: Yo-Yo Ma, Wynton Marsalis


: :Neville Marriner's 1976 account of the Covent Garden version of the score (1743), with the Academy and Chorus of St. Martin-in-the-Fields and soloists Elly Ameling, Anna Reynolds, Philip Langridge, and Gwynne Howell, is positively plush-sounding but nicely animated. I'd love to have this kind of string tone for, say, the Dvorák Serenade, but for Handel it may be just a bit much. --Ted Libbey

Josquin Desprez: Motets & Chansons
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Josquin Desprez: Motets & Chansons

(more) »rank: 31313

by: Josquin Desprez, Paul Hillier, The Hilliard Ensemble


: essential recording:The Hilliard Ensemble bathes these vital vocal works by Josquin in a Mediterranean light: clear, warm, and brilliant. Josquin was a northerner who, like so many other composers of the Renaissance, descended to Italy to pursue his career. The singers bring to life the composer's marriage of the Flemish preoccupation with technique and the southern instinct toward lyricism. This is an extraordinary disc. --Joshua Cody


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by John Steinbeck
$10.88

Average customer rating: 4.5 ISBN: 0142000663
When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak


by W. Stephen Damron
$117.33

Average customer rating: ISBN: 0131189328

by Bill Mollison, Reny Mia Slay

Average customer rating: 5.0 ISBN: 0908228015
$49.99



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