Bestsellers > Classical Music > Symphonies

Bestsellers > Classical Music > Symphonies

Tchaikovsky: 1812 Overture/Capriccio Italien/Beethoven: Wellington's Victory
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Tchaikovsky: 1812 Overture/Capriccio Italien/Beethoven: Wellington's Victory

(more) »rank: 58050

from: Philips


: essential recording:It's hard to believe that this, the BEST EVER 1812 Overture was not only recorded in the 1950s, but it still sounds better than any other version. This last fact is a tribute to the remastering expertise of producer Wilma Cozart Fine, and a still greater tribute to her late husband, a recording genius, for leaving her with such fantastic quality original tapes to work with. If you want real cannon, the sound of a zillion bells, and a really sensational brass band, all perfectly blended together to produce the ultimate in audio ...

Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony
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Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony

(more) »rank: 23266

by: Michael Tilson Thomas, Seiji Ozawa


: :The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 remastering unleashes the ...

John Adams - Harmonielehre · The Chairman Dances · Tromba lontana · Short Ride in a Fast Machine / Sir Simon Rattle
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John Adams - Harmonielehre · The Chairman Dances · Tromba lontana · Short Ride in a Fast Machine / Sir Simon Rattle

(more) »rank: 3878

by: John Adams, Simon Rattle, Jonathan Holland, Wesley Warren, City of Birmingham Symphony Orchestra


: :The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 remastering unleashes the ...

Corelli: Complete Works
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Corelli: Complete Works

(more) »rank: 42074

from: Brilliant Classics


: :The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 remastering unleashes the ...

The Ramallah Concert - Knowledge Is the Beginning/West-Eastern Divan Orchestra/Barenboim
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The Ramallah Concert - Knowledge Is the Beginning/West-Eastern Divan Orchestra/Barenboim

(more) »rank: 30955

starring: Daniel Barenboim


: :The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 remastering unleashes the ...

Sheherazade / Russian Easter Overture
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Sheherazade / Russian Easter Overture

(more) »rank: 5631

from: Sony


: :The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 remastering unleashes the ...

The Mozart Effect Music for Babies, Vol. 3: Daytime Playtime
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The Mozart Effect Music for Babies, Vol. 3: Daytime Playtime

(more) »rank: 9808

from: Children's Group


: :The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 remastering unleashes the ...

Tchaikovsky: The Sleeping Beauty
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Tchaikovsky: The Sleeping Beauty

(more) »rank: 18396

from: EMI Classics


: :The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 remastering unleashes the ...

Mozart: The 5 Violin Concertos
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Mozart: The 5 Violin Concertos

(more) »rank: 74602

from: Archiv


:Album Description:Renowned period-instrument violinist Giuliano Carmignola makes his first Mozart recording, and internationally acclaimed maestro Claudio Abbado records Mozart for the first time on period instruments! Abbado and Carmignola are long-standing collaborators and have performed Mozart together for some time; the album was born out of their feeling that it was time to commit their interpretations to disc. In addition to the five violin concertos, Carmignola teams with violist Danusha Waskiewicz on another audience favorite, the Sinfonia concertante. One of five releases celebrating Claudio Abbado's 75th birthday, this attractively priced two-disc set promises to be ...

Metropolitan Opera Gala - James Levine's 25th Anniversary
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Metropolitan Opera Gala - James Levine's 25th Anniversary

(more) »rank: 21013

starring: Renee Fleming, Deborah Voigt, Karita Mattila, Roberto Alagna, Thomas Hampson


:Album Description:Renowned period-instrument violinist Giuliano Carmignola makes his first Mozart recording, and internationally acclaimed maestro Claudio Abbado records Mozart for the first time on period instruments! Abbado and Carmignola are long-standing collaborators and have performed Mozart together for some time; the album was born out of their feeling that it was time to commit their interpretations to disc. In addition to the five violin concertos, Carmignola teams with violist Danusha Waskiewicz on another audience favorite, the Sinfonia concertante. One of five releases celebrating Claudio Abbado's 75th birthday, this attractively priced two-disc set promises to be ...


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Tab Benoit's album titles leave little doubt as to where he's from or the music he plays. Brother to the Blues, Fever for the Bayou, Wetlands, and now Power of the Pontchartrain exude the sweaty Louisiana swamp, blues, and R&B inherent in their names. But that only tells part of the story--the rest is in the grooves where Benoit's distinctive, grainy voice and tough Telecaster leads bring soul, grit, and intensity to a sound already infused with an earthy sensibility. There's more of the same on this disc, but that's no criticism. Benoit generally sticks with others' songs here, yet he unearths hidden gems. Julie Miller's "Midnight and Lonesome" is dragged into the murky swamps as a driving ballad with eerie qualities that live up to its name. Miller and husband Buddy are also credited with the righteous-yet-rugged gospel of "Shelter Me." "Somebody's Got to Go," originally by Lonnie Johnson, gets a crisp, frisky makeover, and even Buffalo Springfield's crusty "For What It's Worth" takes a swim in the muddy waters of Benoit's home state, with a little help of some altered, post-Katrina lyrics. The guitarist lets his Cajun influences fly on the bouncy rhythms of "Sac-Au-Lait Fishing," the album's only original, and shifts into pleading Otis Redding mode for the aching blues ballad "I'm Guilty of Lovin' You." The Chicago-by-way-of-the-Delta shuffle of "One Foot in the Bayou" is also an apt description of Benoit's approach. He touches on a variety of Americana styles, yet always keeps part of himself planted firmly in the wetlands of his roots. --Hal Horowitz

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