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Mozart for Relaxation(more) »rank: 5805from: RCA
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Classics for Kids(more) »rank: 5313from: RCA
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James Galway - Dances for Flute(more) »rank: 17436from: RCA
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James Galway ~ Meditations(more) »rank: 18797by: Jules Massenet, George Frideric Handel, Johann Sebastian Bach, Tomaso Albinoni, Giovanni Pergolesi, Baldassare Galuppi, Johann Pachelbel, Carl Philipp Emanuel Bach, Romano Antonio Piacentino, Antonio Vivaldi, Claude Debussy, John [composer] Field, Wolfgang Amadeus Mozart, Franz Schubert, Joaquin Rodrigo, Sergey Rachmaninov, Fryderyk Chopin, Christoph Willibald Gluck, John Georgiadis, James Galway, Jorg Faerber, Claudio Scimone, Claudio Schimone, David Measham, Michael Tilson Thomas, Eduardo Mata, Charles Gerhardt
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Ravel's Greatest Hit: The Ultimate Bolero(more) »rank: 8603from: RCA
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Carlos Chávez: The Complete Symphonies(more) »rank: 19874from: Vox (Classical)
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Sixty Years 60 Flute Masterpieces (Highlights from the Collection)(more) »rank: 83058from: RCA
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Copland: Appalachian Spring; El Salón México; Old American Songs; Fanfare for the Common Man(more) »rank: 145236from: EMI Classics
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Sin City(more) »rank: 132064from: Dimension Films
: :Set in dark, slickened streets and populated by a stellar ensemble cast, this adaptation of Frank Miller's hard-edged, film noir inspired graphic novels plays like comic-book-come-to-life—not surprising, as Miller is credited as Robert Rodriguez's co-director (with a bit of help from Quentin Tarantino). The soundtrack to this bleak, compelling exercise in pure noir stylism is provided mostly by director Rodriguez, with an occasional assist from past collaborators John Debney (Spy Kids and its sequel) and Graeme Revell (From Dusk Til Dawn). While their largely synth-driven cues tend naturally towards brooding atmospheric soundscapes, their tense electro-rhythms are seasoned with bracing doses of sinewy, sensual ... |
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Moonlight Moods(more) »rank: 105567from: Vox (Classical)
: :Set in dark, slickened streets and populated by a stellar ensemble cast, this adaptation of Frank Miller's hard-edged, film noir inspired graphic novels plays like comic-book-come-to-life—not surprising, as Miller is credited as Robert Rodriguez's co-director (with a bit of help from Quentin Tarantino). The soundtrack to this bleak, compelling exercise in pure noir stylism is provided mostly by director Rodriguez, with an occasional assist from past collaborators John Debney (Spy Kids and its sequel) and Graeme Revell (From Dusk Til Dawn). While their largely synth-driven cues tend naturally towards brooding atmospheric soundscapes, their tense electro-rhythms are seasoned with bracing doses of sinewy, sensual ... |
