Bestsellers > Classical Music > Horne, Marilyn

Bestsellers > Classical Music > Horne, Marilyn

The Only Classical CD You'll Ever Need!
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The Only Classical CD You'll Ever Need!

(more) »rank: 14054

from: RCA




West Side Story: Highlights (1985 Studio Recording)
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West Side Story: Highlights (1985 Studio Recording)

(more) »rank: 53934

from: Deutsche Grammophon


: :The world becomes a better place as Leonard Bernstein conducts his first West Side Story with the abandon, genius, and intimate knowledge of every detail he, as composer, imagined. The crisp orchestra and slower tempos maximize the colors of the orchestral landscape and create magic. This recording falls just one tenor's diction short of perfection. Te Kanawa's scrumptious soprano deliciously graces Maria's music, realizing the virtuosity often unattainable in theater singers' renditions. Troyanos combines a ferocious chestiness with classically trained savvy. The only weakness is Carreras's diction, which he so obviously works hard to Americanize, but falls distractingly short. Still, the overall recording ...

Opera's Greatest Duets
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Opera's Greatest Duets

(more) »rank: 21037

from: RCA


: :The world becomes a better place as Leonard Bernstein conducts his first West Side Story with the abandon, genius, and intimate knowledge of every detail he, as composer, imagined. The crisp orchestra and slower tempos maximize the colors of the orchestral landscape and create magic. This recording falls just one tenor's diction short of perfection. Te Kanawa's scrumptious soprano deliciously graces Maria's music, realizing the virtuosity often unattainable in theater singers' renditions. Troyanos combines a ferocious chestiness with classically trained savvy. The only weakness is Carreras's diction, which he so obviously works hard to Americanize, but falls distractingly short. Still, the overall recording ...

Beethoven: Greatest Hits
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Beethoven: Greatest Hits

(more) »rank: 62993

from: RCA


: :The world becomes a better place as Leonard Bernstein conducts his first West Side Story with the abandon, genius, and intimate knowledge of every detail he, as composer, imagined. The crisp orchestra and slower tempos maximize the colors of the orchestral landscape and create magic. This recording falls just one tenor's diction short of perfection. Te Kanawa's scrumptious soprano deliciously graces Maria's music, realizing the virtuosity often unattainable in theater singers' renditions. Troyanos combines a ferocious chestiness with classically trained savvy. The only weakness is Carreras's diction, which he so obviously works hard to Americanize, but falls distractingly short. Still, the overall recording ...

Great Duets & Trios / Sutherland, Horne, Pavarotti
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Great Duets & Trios / Sutherland, Horne, Pavarotti

(more) »rank: 9123

from: Decca


: :The world becomes a better place as Leonard Bernstein conducts his first West Side Story with the abandon, genius, and intimate knowledge of every detail he, as composer, imagined. The crisp orchestra and slower tempos maximize the colors of the orchestral landscape and create magic. This recording falls just one tenor's diction short of perfection. Te Kanawa's scrumptious soprano deliciously graces Maria's music, realizing the virtuosity often unattainable in theater singers' renditions. Troyanos combines a ferocious chestiness with classically trained savvy. The only weakness is Carreras's diction, which he so obviously works hard to Americanize, but falls distractingly short. Still, the overall recording ...

Pavarotti's Opera Made Easy-My Favorite Showstoppers
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Pavarotti's Opera Made Easy-My Favorite Showstoppers

(more) »rank: 64673

from: Decca


: :The world becomes a better place as Leonard Bernstein conducts his first West Side Story with the abandon, genius, and intimate knowledge of every detail he, as composer, imagined. The crisp orchestra and slower tempos maximize the colors of the orchestral landscape and create magic. This recording falls just one tenor's diction short of perfection. Te Kanawa's scrumptious soprano deliciously graces Maria's music, realizing the virtuosity often unattainable in theater singers' renditions. Troyanos combines a ferocious chestiness with classically trained savvy. The only weakness is Carreras's diction, which he so obviously works hard to Americanize, but falls distractingly short. Still, the overall recording ...

Amor--Opera's Great Love Songs
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Amor--Opera's Great Love Songs

(more) »rank: 67646

from: Decca


: :The world becomes a better place as Leonard Bernstein conducts his first West Side Story with the abandon, genius, and intimate knowledge of every detail he, as composer, imagined. The crisp orchestra and slower tempos maximize the colors of the orchestral landscape and create magic. This recording falls just one tenor's diction short of perfection. Te Kanawa's scrumptious soprano deliciously graces Maria's music, realizing the virtuosity often unattainable in theater singers' renditions. Troyanos combines a ferocious chestiness with classically trained savvy. The only weakness is Carreras's diction, which he so obviously works hard to Americanize, but falls distractingly short. Still, the overall recording ...

Verdi: Requiem / Sutherland, Horne, Pavarotti, Talvela, Solti
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Verdi: Requiem / Sutherland, Horne, Pavarotti, Talvela, Solti

(more) »rank: 34171

by: Giuseppe Verdi, Vienna Philharmonic, Georg Solti, Joan Sutherland, Marilyn Horne, Luciano Pavarotti, Martti Talvela, Vienna State Opera Chorus


: :If you value the drama and terror of Giuseppe Verdi's sacred masterpiece, you need to hear this. Solti's 'Dies Irae' is overwhelming, the drums pounding and the chorus sounding as if it's writhing in hell's torments. What Solti's intense, operatic conception lacks in spirituality it more than makes up for in the way it grips you by the throat and never lets go. The solo quartet, with one exception, is among the best assembled in the stereo era. Pavarotti shines, and Talvela's authoritative basso profundo is a rock-solid anchor. Horne's trademark register break can be a distraction at times, but she's thrilling. With ...

The Ultimate Divas Album
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The Ultimate Divas Album

(more) »rank: 40678

by: Gioachino Rossini, Giuseppe Verdi, Alfredo Catalani, Umberto Giordano, Amilcare Ponchielli, Giacomo Puccini, Vincenzo Bellini, Georges Bizet, Wolfgang Amadeus Mozart, Richard Wagner, Modena Community Theater Orchestra, Royal Opera House Orchestra Covent Garden, Monte Carlo National Opera Orchestra, National Philharmonic Orchestra, Saint Cecilia Academy Orchestra, Wiener Philharmoniker, London Symphony Orchestra, London Philharmonic Orchestra, Riccardo Chailly, Sir Georg Solti, Henry Lewis, Fausto Cleva, Fernando Previtali, Herbert von Karajan, Richard Bonynge, Hans Knappertsbusch, Cecilia Bartoli, Renée Fleming, Angela Gheorghiu, Marilyn Horne, Renata Tebaldi, Frank Lopardo, Zinka Milanov, Joan Sutherland, London Symphony Chorus, Leontyne Price, Montserrat Caballé, John Alldis Choir


: :If you value the drama and terror of Giuseppe Verdi's sacred masterpiece, you need to hear this. Solti's 'Dies Irae' is overwhelming, the drums pounding and the chorus sounding as if it's writhing in hell's torments. What Solti's intense, operatic conception lacks in spirituality it more than makes up for in the way it grips you by the throat and never lets go. The solo quartet, with one exception, is among the best assembled in the stereo era. Pavarotti shines, and Talvela's authoritative basso profundo is a rock-solid anchor. Horne's trademark register break can be a distraction at times, but she's thrilling. With ...

Thomas: Mignon
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Thomas: Mignon

(more) »rank: 152092

from: Sony


: :If you value the drama and terror of Giuseppe Verdi's sacred masterpiece, you need to hear this. Solti's 'Dies Irae' is overwhelming, the drums pounding and the chorus sounding as if it's writhing in hell's torments. What Solti's intense, operatic conception lacks in spirituality it more than makes up for in the way it grips you by the throat and never lets go. The solo quartet, with one exception, is among the best assembled in the stereo era. Pavarotti shines, and Talvela's authoritative basso profundo is a rock-solid anchor. Horne's trademark register break can be a distraction at times, but she's thrilling. With ...


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For those who haven't noticed (a group that apparently includes millions of Americans), the sport that we call soccer and the rest of the world calls football is big. Very big. And no one is bigger than Real Madrid, the subject of Real - The Movie. This is the soccer equivalent of the New York Yankees, a rich, perennially successful club that features many of the biggest stars in the world; as of 2005, when the film was released, players included England's David Beckham and Michael Owen, Brazil's Ronaldo and Roberto Carlos, Portugal's Luis Figo, and France's Zinedine Zidane (who notoriously head-butted an Italian opponent in the 2006 World Cup final). All of them can be seen in the quasi-documentary sections of the film, as Real prepares for a climactic match against rival Barcelona. Scenes of the players practicing, the coaches strategizing, and the match itself are well done, with crisp cinematography, occasional use of animation and other effects, and an overall kinetic feeling well suited to the sport. But director Borja Manso also wants Real - The Movie to explain to the uninitiated just what it is that makes Real such a big deal all around the world. To that end, he incorporates several personal (and fictional) stories: A Tokyo schoolboy distressed over his girlfriend's shrieking obsession with Beckham. A young Madrid history teacher who doesn't understand Real mania, and his neighbor, an elderly woman who's been unable to return to the stadium since her husband passed away. A Senegalese kid dying to go to soccer school. A teenage girl in New York who suffers a severe leg injury during a match and finds inspiration in Ronaldo's rehabilitation after a similar incident. Pretty standard stuff, by and large, and way too on-the-nose to be very compelling. Combine all of that with some newsreel footage from Real's early days and lots of throbbing, thrilling music, and it all amounts to a big, glossy valentine packaged as wholesome family fare. Nothing wrong with that--unless you're a Boston Red Sox fan. --Sam Graham

by Friedrich Nietzsche, Michael Tanner, R. J. Hollingdale
$9.96

Average customer rating: 4.0 ISBN: 0140445145

by James Robert Parish
$11.53

Average customer rating: 4.0 ISBN: 0809222272



The Olsen twins are turning 16, and they're celebrating with this collection of party games and, you guessed it, driving lessons. The good news is that if you can help them get past the obstacles and pass the test, they'll take you out with their new driver's licenses to a variety of fun minigame activities, like rock climbing, riding Jet Skis, surfing, ATV quad racing, and shopping for clothes. Earn points in the party games and spend them to upgrade the car and unlock cool tunes and cooler outfits.



It's not very often that a game aims to be fun and realistic while instilling a sense of personal involvement and responsibility. Mary-Kate and Ashley: Winners Circle does that within the theme of horseback riding. Players compete in such equestrian events as dressage, jumping, and cross-country, and learn the basics of caring for a horse. The game offers a practice mode, which lets riders master the controls and explore a course before entering events, and an adventure mode with large forest and island levels where players can play minigames or just simply explore.

Marilyn,Classical Gethorne
Shopping at classical-music.bestglobalgifts.com  Created at Tue Dec 2 06:43:11 2008