Bestsellers > Classical Music > Orff, Carl
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Voice of the Violin(more) »rank: 3978by: Joshua Bell
: : Constantly exhorted to 'sing,' string players naturally try to emulate that most beautiful musical instrument, the human voice; no wonder they literally want to get their fingers on the treasures of the vocal repertoire. Joshua Bell has appropriated some of its best-loved songs and operatic arias, from Mozart through the romantics to Orff. Slow, sustained, lovely and yes, singing, these beguiling melodies and wide emotional range are eminently well suited to the violin. Credit for most of the arrangements is given to J.A.C. Redford, a well-known film and television composer, and indeed the throbbing strings and jarring modulations typical of sound-tracks invade ... |
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Orff: Carmina Burana(more) »rank: 8583from: Teldec
: : Constantly exhorted to 'sing,' string players naturally try to emulate that most beautiful musical instrument, the human voice; no wonder they literally want to get their fingers on the treasures of the vocal repertoire. Joshua Bell has appropriated some of its best-loved songs and operatic arias, from Mozart through the romantics to Orff. Slow, sustained, lovely and yes, singing, these beguiling melodies and wide emotional range are eminently well suited to the violin. Credit for most of the arrangements is given to J.A.C. Redford, a well-known film and television composer, and indeed the throbbing strings and jarring modulations typical of sound-tracks invade ... |
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Pure(more) »rank: 10267by: Hayley Westenra
: :Comparisons with Charlotte Church are inevitable, yet 16-year-old New Zealand singer Hayley Westenra has her own distinctive sound. She has impeccably clear diction coupled with a gorgeous voice with a very wide range: her high notes in the Kate Bush hit 'Wuthering Heights' are especially striking, and like Bush she is also a dancer, having performed with the Royal New Zealand Ballet. If there's a problem, it's that Pure doesn't have a focus to match Westenra's talent, the tracks spanning everything from 'Amazing Grace' to a Maori lullaby ('Hine e Hine') to hybrid pieces adapted from Ravel ('Never Say Goodbye') and Vivaldi's Four ... |
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Carl Orff: Carmina Burana(more) »rank: 5915from: Deutsche Grammophon
: :Yes, here it is folks--that irritatingly catchy chorus you first heard in the film Excalibur, or as the background music to the HBO Boxing Specials, and in zillions of other places. What it's not is the music from The Omen, which it clearly inspired. All pieces of music that feature choruses chanting in Latin are not the same (in fact, Stravinsky's Symphony of Psalms is much closer to The Omen than this). Orff actually wrote a lot more music, but here's a case where his reputation as a 'one work' composer really is justified, for nothing else comes close in musical or popular ... |
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Voice of an Angel(more) »rank: 4594from: Sony
: :Those leery and weary of tasteless crossover need not shudder at the sight of this disc, which has sold over half a million copies in Europe. There's none of the softcore kiddie porn that came with Vanessa-Mae or the heavily packaged faux romanticism of Andrea Bocelli. (That of course doesn't necessarily mean that you'll want Voice of an Angel.) This 12-year-old Welsh soprano is so uncloyingly cute and has such an appealing personality (with just enough touch of cheek) that you'd almost rather have her as a dinner guest than on your CD player. Her small, attractive, sometimes unstable but always sincere soprano ... |
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Carl Orff: Carmina Burana(more) »rank: 11307from: Telarc
: :As much as critics--and many musicians--love to hate this work, Carmina Burana is a uniquely entertaining and justly popular theatrical masterpiece. This collection of 13th-century secular poems, originally found in a Bavarian monastery, were selected, set to original music, and arranged for a large modern orchestra, vocal soloists, and choirs by German composer Carl Orff. Orff ingeniously used these large forces to create a work of astonishing and powerful simplicity. The simplest melodies, primal rhythms, and rudimentary orchestration combine for an unforgettably dynamic musical and dramatic experience. This is one of the first digital recordings of the work, and one of the more ... |
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The Power & The Majesty: Essential Choral Classics(more) »rank: 12794by: Robert Shaw Festival Singers, Atlanta Symphony Orchestra & Choruses
: :As much as critics--and many musicians--love to hate this work, Carmina Burana is a uniquely entertaining and justly popular theatrical masterpiece. This collection of 13th-century secular poems, originally found in a Bavarian monastery, were selected, set to original music, and arranged for a large modern orchestra, vocal soloists, and choirs by German composer Carl Orff. Orff ingeniously used these large forces to create a work of astonishing and powerful simplicity. The simplest melodies, primal rhythms, and rudimentary orchestration combine for an unforgettably dynamic musical and dramatic experience. This is one of the first digital recordings of the work, and one of the more ... |
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Orff: Carmina Burana(more) »rank: 10951from: EMI Classics
: essential recording:At first glance, this doesn't seem like conductor Riccardo Muti's cup of tea. It's a work without many subtleties, one that seems to need a policeman more than an interpreter. But Muti lets it rip--the joyous moments are superb, the mock-sentimental moments charming, changes in rhythm properly jarring, and the energy level very high. Soprano Arleen Auger almost makes her high-flying part seem simple. Warning: The louds are very loud. --Robert Levine |
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Orff: Carmina Burana(more) »rank: 16932from: Deutsche Grammophon
: essential recording:At first glance, this doesn't seem like conductor Riccardo Muti's cup of tea. It's a work without many subtleties, one that seems to need a policeman more than an interpreter. But Muti lets it rip--the joyous moments are superb, the mock-sentimental moments charming, changes in rhythm properly jarring, and the energy level very high. Soprano Arleen Auger almost makes her high-flying part seem simple. Warning: The louds are very loud. --Robert Levine |
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Andre Rieu / The Flying Dutchman(more) »rank: 6486from: Denon Records
: essential recording:At first glance, this doesn't seem like conductor Riccardo Muti's cup of tea. It's a work without many subtleties, one that seems to need a policeman more than an interpreter. But Muti lets it rip--the joyous moments are superb, the mock-sentimental moments charming, changes in rhythm properly jarring, and the energy level very high. Soprano Arleen Auger almost makes her high-flying part seem simple. Warning: The louds are very loud. --Robert Levine |