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Schumann: Cello Concerto(more) »rank: 201123from: Deutsche Grammophon
: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ... |
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Nightmoods: Piano Dreams(more) »rank: 236314from: Deutsche Grammophon
: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ... |
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Rachmaninov: Suite No. 2, Op. 17; Ravel: La Valse; Lutoslawski: Paganini Variations(more) »rank: 212557from: Philips
: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ... |
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Lockenhaus Encore!: Musical Jokes(more) »rank: 254717by: Gidon Kremer & Friends, Martha Argerich, Borodin Quartet
: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ... |
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Panorama: Maurice Ravel(more) »rank: 220036from: Deutsche Grammophon
: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ... |
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Brahms: Greatest Hits(more) »rank: 226311from: Decca
: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ... |
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Classical Evolution: Chopin: Famous Piano Works, Vol. 1(more) »rank: 170043from: Delta
: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ... |
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Love Moods(more) »rank: 89426from: Deutsche Grammophon
: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ... |
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Beethoven: The Cello Sonatas & Variations(more) »rank: 241265from: Dg Imports
: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ... |
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Abbado: The Berlin Album(more) »rank: 248283by: Ludwig van Beethoven, Johannes Brahms, Gustav Mahler, Claudio Abbado, Berliner Philharmoniker
: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ... |
