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Schumann: Cello Concerto
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Schumann: Cello Concerto

(more) »rank: 201123

from: Deutsche Grammophon


: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ...

Nightmoods: Piano Dreams
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Nightmoods: Piano Dreams

(more) »rank: 236314

from: Deutsche Grammophon


: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ...

Rachmaninov: Suite No. 2, Op. 17; Ravel: La Valse; Lutoslawski: Paganini Variations
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Rachmaninov: Suite No. 2, Op. 17; Ravel: La Valse; Lutoslawski: Paganini Variations

(more) »rank: 212557

from: Philips


: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ...

Lockenhaus Encore!: Musical Jokes
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Lockenhaus Encore!: Musical Jokes

(more) »rank: 254717

by: Gidon Kremer & Friends, Martha Argerich, Borodin Quartet


: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ...

Panorama: Maurice Ravel
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Panorama: Maurice Ravel

(more) »rank: 220036

from: Deutsche Grammophon


: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ...

Brahms: Greatest Hits
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Brahms: Greatest Hits

(more) »rank: 226311

from: Decca


: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ...

Classical Evolution: Chopin: Famous Piano Works, Vol. 1
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Classical Evolution: Chopin: Famous Piano Works, Vol. 1

(more) »rank: 170043

from: Delta


: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ...

Love Moods
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Love Moods

(more) »rank: 89426

from: Deutsche Grammophon


: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ...

Beethoven: The Cello Sonatas & Variations
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Beethoven: The Cello Sonatas & Variations

(more) »rank: 241265

from: Dg Imports


: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ...

Abbado: The Berlin Album
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Abbado: The Berlin Album

(more) »rank: 248283

by: Ludwig van Beethoven, Johannes Brahms, Gustav Mahler, Claudio Abbado, Berliner Philharmoniker


: :Mischa Maisky's wide vibrato, big, full tone, exaggerated rubatos, and consistent lunge for the emotional jugular make him a controversial artist, loved by some and disliked by others. This disc will confirm both opinions, as did his earlier, intense recording of the Concerto with Bernstein. Here, he's joined by a much smaller, conductorless orchestra and there's a refreshing give-and-take between band and soloist. Although it reveals countless orchestral details, the close-up engineering spotlights the cello, undercutting the point of recording the chamber orchestra version. Maisky's playing is often breathtaking in its virtuosity. His is an interesting, if overstated, alternative view of the work. ...


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