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Sergei Rachmaninoff: Orchestral Music(more) »rank: 59229from: Vox (Classical)
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Midnight Adagios(more) »rank: 109842from: Decca
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My Favorite Encores(more) »rank: 117896from: RCA
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Rachmaninov: Piano Concertos Nos. 2 & 4(more) »rank: 130265from: Polygram Records
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Rachmaninov: Vespers(more) »rank: 103239from: Moscow Studio
:Album Description:Mezzo-soprano Irina Arkhipova is one of Russia's most honored vocal artists, renowned throughout the world. She was one of the few Soviet artists who traveled extensively and was thus able to bring the distinguished traditions of the Russian style to opera houses and concert halls on every continent. Mme. Arkhipova has been awarded numerous prizes for her performances and her recordings. She is currently a professor at the Tchaikovsky Conservatory in Moscow. The Vespers (more correctly titled All-Night Vigil) is Rachmaninov’s most famous liturgical work, filled with evocative, textured choral writing that quotes liberally from the rich chant of the ... |
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Etudes Tableaux(more) »rank: 50819by: Rachmaninoff, Lugansky
:Album Description:Mezzo-soprano Irina Arkhipova is one of Russia's most honored vocal artists, renowned throughout the world. She was one of the few Soviet artists who traveled extensively and was thus able to bring the distinguished traditions of the Russian style to opera houses and concert halls on every continent. Mme. Arkhipova has been awarded numerous prizes for her performances and her recordings. She is currently a professor at the Tchaikovsky Conservatory in Moscow. The Vespers (more correctly titled All-Night Vigil) is Rachmaninov’s most famous liturgical work, filled with evocative, textured choral writing that quotes liberally from the rich chant of the ... |
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Rachmaninov: Piano Concertos Nos. 1 & 2(more) »rank: 58428by: Sergey Rachmaninoff, Leif Ove Andsnes, Antonio Pappano, Berlin Philharmonic
: : Leif Ove Andsnes is a great pianist, equally at home in solo and chamber music, on stage and disc, in all styles and national idioms. His virtuosity is so unobtrusive, his control of touch and nuance so natural that the music seems to flow through him directly to the listener. His runs have a brilliant, feathery delicacy, but are always part of the musical fabric; his chords are powerful but never harsh. He brings to the Rachmaninov concertos on this record not only romantic sweep, grandeur, vitality, and expressive freedom, but an almost classical purity of line and clarity of ... |
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Rachmaninoff: Piano Concerto No. 3, Scriabin Etudes(more) »rank: 34791by: Sergei Rachmaninoff, Alexander Scriabin, Yuri Temirkanov, St. Petersburg Philharmonic
: :Recorded during live concert performances, Lang Lang's second Telarc release justifies all the positive buzz surrounding this young pianist's rapidly ascending international career. He brings plenty of finger power and long-lined drama to Rachmaninov's ubiquitous Third Concerto, yet takes plenty of time to let the lyrical, soaring tunes spin without an inkling of self-indulgence. He admirably adjusts the piano part to accompany when he doesn't bear the melodic burden, and he gets more expressive mileage from transitions than many pianists do. For once, the thicker, more difficult first movement cadenza doesn't sound unwieldy and elephantine. The piano is a little too ... |
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Rachmaninov: Piano Concertos Nos. 2 & 3(more) »rank: 17428by: Sergey Rachmaninov, Esa-Pekka Salonen, Philharmonia Orchestra of London, Yefim Bronfman
: :Recorded during live concert performances, Lang Lang's second Telarc release justifies all the positive buzz surrounding this young pianist's rapidly ascending international career. He brings plenty of finger power and long-lined drama to Rachmaninov's ubiquitous Third Concerto, yet takes plenty of time to let the lyrical, soaring tunes spin without an inkling of self-indulgence. He admirably adjusts the piano part to accompany when he doesn't bear the melodic burden, and he gets more expressive mileage from transitions than many pianists do. For once, the thicker, more difficult first movement cadenza doesn't sound unwieldy and elephantine. The piano is a little too ... |
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Marian Anderson Rare and Unpublished Recordings, 1936 - 1952(more) »rank: 98318from: Video Artists Int'l
: :The rich-toned, musically elegant, always dignified contralto Marian Anderson (1897-1993) is probably best known as the first African-American to sing at New York's Metropolitan Opera House, but by the time she did (in the mid '50s), her once burnished, glorious voice was no longer at its best. Years before, when she was not permitted to sing in the Daughters of the American Revolution's Constitution Hall (or any other hall in the U.S. capital), she gave a concert in the open air, in front of the Lincoln Memorial, which was attended by press, dignitaries, and a crowd of more than 75,000. Much ... |

A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.