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Story Of Dvorák In Words And Music
(more) »rank: 59749from: Vox (Classical)
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Thys Yool: A Medieval Christmas
(more) »rank: 90692from: Nimbus
:Album Description:Thys Yool is a four-part program of medieval music in which four images central to the Christmas story are brought together, moving through nativity songs towards the point at which Christian and Pagan traditions come together.
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100 Best Film Classics
(more) »rank: 20752from: Angel Records
:Album Description:Thys Yool is a four-part program of medieval music in which four images central to the Christmas story are brought together, moving through nativity songs towards the point at which Christian and Pagan traditions come together.
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Lost Music of Early America: Music of the Moravians
(more) »rank: 70655from: Telarc
: :When the subject of 18th-century music comes up, the United States is rarely considered any sort of creative artistic bastion. But this collection of Moravian religious music reveals how deep a fallacy it is to write off the U.S. as unimportant in vocal music history. The Moravian Church, founded on the cusp of the 14th and 15th centuries, would generate a distinctly musical worship tradition in the 1700s, just prior to the first Moravians settling in Bethlehem, Pennsylvania. Once in Pennsylvania, the music flowed at a brisk pace, comprising significant sections of worship ceremonies. Composers included in this collection reflect two ...
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The Best Choral Album in the World...Ever!
(more) »rank: 37518from: EMI Classics
: :When the subject of 18th-century music comes up, the United States is rarely considered any sort of creative artistic bastion. But this collection of Moravian religious music reveals how deep a fallacy it is to write off the U.S. as unimportant in vocal music history. The Moravian Church, founded on the cusp of the 14th and 15th centuries, would generate a distinctly musical worship tradition in the 1700s, just prior to the first Moravians settling in Bethlehem, Pennsylvania. Once in Pennsylvania, the music flowed at a brisk pace, comprising significant sections of worship ceremonies. Composers included in this collection reflect two ...
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No Boundaries
(more) »rank: 78136from: Heads Up
: :Ladysmith Black Mambazo proved itself pliable enough when the a capella group was heavily featured on Paul Simon's Graceland. Other crossover collaborations have followed, but few work as seamlessly as this collection, which features old LBM songs, Zulu traditionals and European classical material done in collaboration with the English Chamber Orchestra. The rich vocal sound literally fuses with the classical musicians in much the same way as a classical choral group does. To its credit, the orchestra (and arranger Isak Roux) loosens up to fit the more oral/aural traditions of the singers--the music is less precise and reliant on virtuosity. The ...
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The #1 Opera Album II
(more) »rank: 23123from: Decca
: :Ladysmith Black Mambazo proved itself pliable enough when the a capella group was heavily featured on Paul Simon's Graceland. Other crossover collaborations have followed, but few work as seamlessly as this collection, which features old LBM songs, Zulu traditionals and European classical material done in collaboration with the English Chamber Orchestra. The rich vocal sound literally fuses with the classical musicians in much the same way as a classical choral group does. To its credit, the orchestra (and arranger Isak Roux) loosens up to fit the more oral/aural traditions of the singers--the music is less precise and reliant on virtuosity. The ...
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Paul McCartney's Liverpool Oratorio
(more) »rank: 114887from: EMI Classics
: :Ladysmith Black Mambazo proved itself pliable enough when the a capella group was heavily featured on Paul Simon's Graceland. Other crossover collaborations have followed, but few work as seamlessly as this collection, which features old LBM songs, Zulu traditionals and European classical material done in collaboration with the English Chamber Orchestra. The rich vocal sound literally fuses with the classical musicians in much the same way as a classical choral group does. To its credit, the orchestra (and arranger Isak Roux) loosens up to fit the more oral/aural traditions of the singers--the music is less precise and reliant on virtuosity. The ...
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Rossini - Petit Messe Solonnelle ~ Stabat Mater / Pavarotti, Freni, Lohrenger, Minton, Valentini-Terrani, LSO, Gandolfi, Kertesz
(more) »rank: 13145by: Gioachino Rossini, London Symphony Chorus & Orchestra, Romano Gandolfi, Istvan Kertesz, Mirella Freni, Lucia Valentini-Terrani, Luciano Pavarotti, Ruggero Raimondi, Pilar Lorengar, Yvonne Minton, Hans Sotin, Leone Magiera, Vittorio Rosetta, Coro Polifonico del Teatro alla Scala di Milano
: :Ladysmith Black Mambazo proved itself pliable enough when the a capella group was heavily featured on Paul Simon's Graceland. Other crossover collaborations have followed, but few work as seamlessly as this collection, which features old LBM songs, Zulu traditionals and European classical material done in collaboration with the English Chamber Orchestra. The rich vocal sound literally fuses with the classical musicians in much the same way as a classical choral group does. To its credit, the orchestra (and arranger Isak Roux) loosens up to fit the more oral/aural traditions of the singers--the music is less precise and reliant on virtuosity. The ...
![The Original Jacket Collection: Montserrat Caballé [Limited Edition]](http://ecx.images-amazon.com/images/I/51KM20e4pPL._SL160_.jpg)
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The Original Jacket Collection: Montserrat Caballé [Limited Edition]
(more) »rank: 92778from: Sony Classics
: :Ladysmith Black Mambazo proved itself pliable enough when the a capella group was heavily featured on Paul Simon's Graceland. Other crossover collaborations have followed, but few work as seamlessly as this collection, which features old LBM songs, Zulu traditionals and European classical material done in collaboration with the English Chamber Orchestra. The rich vocal sound literally fuses with the classical musicians in much the same way as a classical choral group does. To its credit, the orchestra (and arranger Isak Roux) loosens up to fit the more oral/aural traditions of the singers--the music is less precise and reliant on virtuosity. The ...
