Bestsellers > Classical Music > Passions

Bestsellers > Classical Music > Passions

Famous Composers Premium Edition
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Famous Composers Premium Edition

(more) »rank: 203092

from: Mri Associated




Bach: Sacred Masterpieces
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Bach: Sacred Masterpieces

(more) »rank: 48568

from: Archiv Produktion




J.S. Bach: Matthäus-Passion
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J.S. Bach: Matthäus-Passion

(more) »rank: 152761

by: Bach Collegium Japan, Masaaki Suzuki


: :From the first few seconds of the opening chorus, it's obvious that Masaaki Suzuki's reading of the St. Matthew Passion isn't after the vivid sacred drama that John Eliot Gardiner or even Philippe Herreweghe go for--or the long-winded Teutonic gloom so often found in performances of earlier generations. Suzuki seems to be approaching the St. Matthew as an occasion for devout contemplation of the Passion story rather than a reenactment of that story as music drama. There are some ferocious outbursts from the choir in the crowd scenes, but elsewhere there's gentleness, even delicacy, throughout this performance. Suzuki's marvelous Evangelist, Gerd Türk, seems to give ...

Penderecki: Stabat Mater - Complete Sacred Works for Chorus and a cappella
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Penderecki: Stabat Mater - Complete Sacred Works for Chorus and a cappella

(more) »rank: 229996

by: Krzysztof Penderecki, Juha Kuivanen, Tapiola Chamber Choir


: :From the first few seconds of the opening chorus, it's obvious that Masaaki Suzuki's reading of the St. Matthew Passion isn't after the vivid sacred drama that John Eliot Gardiner or even Philippe Herreweghe go for--or the long-winded Teutonic gloom so often found in performances of earlier generations. Suzuki seems to be approaching the St. Matthew as an occasion for devout contemplation of the Passion story rather than a reenactment of that story as music drama. There are some ferocious outbursts from the choir in the crowd scenes, but elsewhere there's gentleness, even delicacy, throughout this performance. Suzuki's marvelous Evangelist, Gerd Türk, seems to give ...

J.S. Bach:Matthäus-Passion
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J.S. Bach:Matthäus-Passion

(more) »rank: 149324

from: Polygram Records


: :From the first few seconds of the opening chorus, it's obvious that Masaaki Suzuki's reading of the St. Matthew Passion isn't after the vivid sacred drama that John Eliot Gardiner or even Philippe Herreweghe go for--or the long-winded Teutonic gloom so often found in performances of earlier generations. Suzuki seems to be approaching the St. Matthew as an occasion for devout contemplation of the Passion story rather than a reenactment of that story as music drama. There are some ferocious outbursts from the choir in the crowd scenes, but elsewhere there's gentleness, even delicacy, throughout this performance. Suzuki's marvelous Evangelist, Gerd Türk, seems to give ...

Ernst Pepping: Passionsbericht des Matthäus [Hybrid SACD]
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Ernst Pepping: Passionsbericht des Matthäus [Hybrid SACD]

(more) »rank: 220906

from: Coviello Classics


: :From the first few seconds of the opening chorus, it's obvious that Masaaki Suzuki's reading of the St. Matthew Passion isn't after the vivid sacred drama that John Eliot Gardiner or even Philippe Herreweghe go for--or the long-winded Teutonic gloom so often found in performances of earlier generations. Suzuki seems to be approaching the St. Matthew as an occasion for devout contemplation of the Passion story rather than a reenactment of that story as music drama. There are some ferocious outbursts from the choir in the crowd scenes, but elsewhere there's gentleness, even delicacy, throughout this performance. Suzuki's marvelous Evangelist, Gerd Türk, seems to give ...

Bach: St. Matthew Passion
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Bach: St. Matthew Passion

(more) »rank: 213410

from: EMI Classics France


: :From the first few seconds of the opening chorus, it's obvious that Masaaki Suzuki's reading of the St. Matthew Passion isn't after the vivid sacred drama that John Eliot Gardiner or even Philippe Herreweghe go for--or the long-winded Teutonic gloom so often found in performances of earlier generations. Suzuki seems to be approaching the St. Matthew as an occasion for devout contemplation of the Passion story rather than a reenactment of that story as music drama. There are some ferocious outbursts from the choir in the crowd scenes, but elsewhere there's gentleness, even delicacy, throughout this performance. Suzuki's marvelous Evangelist, Gerd Türk, seems to give ...

The King's Consort Baroque Collection
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The King's Consort Baroque Collection

(more) »rank: 200144

from: Hyperion UK


: :From the first few seconds of the opening chorus, it's obvious that Masaaki Suzuki's reading of the St. Matthew Passion isn't after the vivid sacred drama that John Eliot Gardiner or even Philippe Herreweghe go for--or the long-winded Teutonic gloom so often found in performances of earlier generations. Suzuki seems to be approaching the St. Matthew as an occasion for devout contemplation of the Passion story rather than a reenactment of that story as music drama. There are some ferocious outbursts from the choir in the crowd scenes, but elsewhere there's gentleness, even delicacy, throughout this performance. Suzuki's marvelous Evangelist, Gerd Türk, seems to give ...

The Complete Aksel Schiøtz Recordings, 1933-1946
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The Complete Aksel Schiøtz Recordings, 1933-1946

(more) »rank: 296778

from: Danacord Records


: :From the first few seconds of the opening chorus, it's obvious that Masaaki Suzuki's reading of the St. Matthew Passion isn't after the vivid sacred drama that John Eliot Gardiner or even Philippe Herreweghe go for--or the long-winded Teutonic gloom so often found in performances of earlier generations. Suzuki seems to be approaching the St. Matthew as an occasion for devout contemplation of the Passion story rather than a reenactment of that story as music drama. There are some ferocious outbursts from the choir in the crowd scenes, but elsewhere there's gentleness, even delicacy, throughout this performance. Suzuki's marvelous Evangelist, Gerd Türk, seems to give ...

Bach: Made in Germany, Vol. 1 (Box Set)
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Bach: Made in Germany, Vol. 1 (Box Set)

(more) »rank: 716593

from: Leipzig


: :From the first few seconds of the opening chorus, it's obvious that Masaaki Suzuki's reading of the St. Matthew Passion isn't after the vivid sacred drama that John Eliot Gardiner or even Philippe Herreweghe go for--or the long-winded Teutonic gloom so often found in performances of earlier generations. Suzuki seems to be approaching the St. Matthew as an occasion for devout contemplation of the Passion story rather than a reenactment of that story as music drama. There are some ferocious outbursts from the choir in the crowd scenes, but elsewhere there's gentleness, even delicacy, throughout this performance. Suzuki's marvelous Evangelist, Gerd Türk, seems to give ...


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You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam Graham
$9.99



The teaming of Johnny Knoxville (Jackass: The Movie) and Seann William Scott (Dude, Where's My Car?) as well as the presence of the '70s-flavored car chases that were a specialty of the TV series guarantees that The Dukes of Hazzard will be even more lowbrow than the CBS TV series (1979-85) that inspired it. However, this brain-damaging comedy is more "rehash" than "remake," as good ol' Georgiaboys Luke Duke (Knoxville) and his cousin Bo (Scott) are frequently upstaged bythe General Lee, the Confederate-flagged '69 Charger that they drive, jump, race, and fly in as they smuggle moonshine for their Uncle Jesse (Willie Nelson). Meanwhile, cousin Daisy Duke (Jessica Simpson) is reliably available to model her short-shorts (aka "Daisy Dukes") and awesome figure (and let's face it, Simpson's talents pretty much begin and end right there), while corrupt honcho Boss Hogg (Burt Reynolds, who should know better) recruits a local NASCAR star to advance his wily scheme of converting Hazzard County into a strip mine. Director Jay Chandrasekhar (Super Troopers) manages to mine some good-natured humor from the movie's oval-track detour and a few colorful supporting players (notably Kevin Hefferman as the Duke's pal Sheev). Otherwise, consider yourself warned: The Dukes of Hazzard is shameless Hollywood product at its most forgettable, trafficking in shameless white, rural Southern stereotypes. If you can make itto the end, there's a blooper reel to reward your endurance. --Jeff Shannon

DVD features
Yes, the unrated edition of The Dukes of Hazzard has nudity... but no, it's not of Jessica Simpson, but topless sorority girls. There are also two sets--"PG-13" and "unrated"--of deleted scenes and bloopers. The four minutes of unrated deleted scenes (supplementing the 25 minutes of "PG-13" deleted scenes) include more sorority girls and a menage à trois for Johnny Knoxville . The five minutes of unrated bloopers (the same amount as the "PG-13" bloopers) feature a few more girls but mostly bad language. Featurettes discuss the Daisy Duke short shorts (and show how you can make your own), car stunts, and the making of the movie (narrated by a cast member of the original TV series). --David Horiuchi


by Michael-Anne Jones, Marie Morrale

Average customer rating: 4.5 ISBN: 0590024493

by Barbara Hanson

Average customer rating: ISBN: 1560323469

by Matt Netter, Nancy E. Krulik, Jill Matthews

Average customer rating: 3.5 ISBN: 0671713841
$13.57

Steve McCurry


Passions,Classical
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