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Bestsellers > Classical Music > Requiems

Requiem Conspirare
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Requiem Conspirare

(more) »rank: 46523

by: Craig Hella Johnson


:Album Description:'Simply gorgeous choral singing ... the Choir achieves near-perfect interpretive consensus and vocal ensemble, with stiletto-sharp intonation and unearthly tonal beauty.' -- American Record Guide Grammy-nominated for Best Choral Performance and Best Classical Engineering. In 2005 Conspirare won the Margaret Hillis Award for Choral Excellence, presented by Chorus America, their highest award for a choral ensemble. Includes singer-songwriter Eliza Gilkyson's 'Requiem,' a response to the catastrophic Asian tsunami in 2004.

Kiri Te Kanawa Sings Verdi and Puccini Arias
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Kiri Te Kanawa Sings Verdi and Puccini Arias

(more) »rank: 36923

from: Sony


:Album Description:'Simply gorgeous choral singing ... the Choir achieves near-perfect interpretive consensus and vocal ensemble, with stiletto-sharp intonation and unearthly tonal beauty.' -- American Record Guide Grammy-nominated for Best Choral Performance and Best Classical Engineering. In 2005 Conspirare won the Margaret Hillis Award for Choral Excellence, presented by Chorus America, their highest award for a choral ensemble. Includes singer-songwriter Eliza Gilkyson's 'Requiem,' a response to the catastrophic Asian tsunami in 2004.

Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
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Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw

(more) »rank: 20705

by: Johannes Brahms, Robert Shaw, Arleen Auger, Richard Stilwell, Atlanta Symphony Orchestra & Chorus


: :Robert Shaw, despite being a fine choral conductor, was often a pretty boring interpreter--like most choral conductors, in fact. However, there were times that he really put everything together, particularly in his many fine recordings for Telarc, and this is one of the best. Of course, it helps that the music itself is largely pretty subdued, but Shaw directs a performance of exemplary clarity and genuine nobility of utterance. Gorgeous recorded sound too. --David Hurwitz

Brahms: A German Requiem
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Brahms: A German Requiem

(more) »rank: 91146

from: Deutsche Grammophon


: :Robert Shaw, despite being a fine choral conductor, was often a pretty boring interpreter--like most choral conductors, in fact. However, there were times that he really put everything together, particularly in his many fine recordings for Telarc, and this is one of the best. Of course, it helps that the music itself is largely pretty subdued, but Shaw directs a performance of exemplary clarity and genuine nobility of utterance. Gorgeous recorded sound too. --David Hurwitz

Agnus Dei II: Music to soothe the soul
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Agnus Dei II: Music to soothe the soul

(more) »rank: 116717

from: Erato


: :Building on the enormous success of the first Agnus Dei disc, its successor offers more of the same musical mood, but with a few surprises too. One of the hits of the first album was John Cameron's arrangement of Elgar's Nimrod, using the words of the Lux Aeterna. Here he really rolls his sleeves up and similarly tackles the Albinoni-Giazzoto Adagio (using the words of the Beatitudes) and the Intermezzo from Bizet's second L'Arlésienne Suite (using the text of the Agnus Dei). The role of the orchestra (the excellent ensemble Capricorn) has been expanded, and Edward Higginbottom himself has arranged a delicious string ...

The Best Choral Album in the World...Ever!
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The Best Choral Album in the World...Ever!

(more) »rank: 74006

from: EMI Classics


: :Building on the enormous success of the first Agnus Dei disc, its successor offers more of the same musical mood, but with a few surprises too. One of the hits of the first album was John Cameron's arrangement of Elgar's Nimrod, using the words of the Lux Aeterna. Here he really rolls his sleeves up and similarly tackles the Albinoni-Giazzoto Adagio (using the words of the Beatitudes) and the Intermezzo from Bizet's second L'Arlésienne Suite (using the text of the Agnus Dei). The role of the orchestra (the excellent ensemble Capricorn) has been expanded, and Edward Higginbottom himself has arranged a delicious string ...

Berlioz: Requiem Op. 5 'Grande Messe des Morts' [Hybrid SACD]
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Berlioz: Requiem Op. 5 'Grande Messe des Morts' [Hybrid SACD]

(more) »rank: 129321

from: Pentatone


: :Building on the enormous success of the first Agnus Dei disc, its successor offers more of the same musical mood, but with a few surprises too. One of the hits of the first album was John Cameron's arrangement of Elgar's Nimrod, using the words of the Lux Aeterna. Here he really rolls his sleeves up and similarly tackles the Albinoni-Giazzoto Adagio (using the words of the Beatitudes) and the Intermezzo from Bizet's second L'Arlésienne Suite (using the text of the Agnus Dei). The role of the orchestra (the excellent ensemble Capricorn) has been expanded, and Edward Higginbottom himself has arranged a delicious string ...

Munch Conducts Berlioz
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Munch Conducts Berlioz

(more) »rank: 125851

from: RCA


: :Building on the enormous success of the first Agnus Dei disc, its successor offers more of the same musical mood, but with a few surprises too. One of the hits of the first album was John Cameron's arrangement of Elgar's Nimrod, using the words of the Lux Aeterna. Here he really rolls his sleeves up and similarly tackles the Albinoni-Giazzoto Adagio (using the words of the Beatitudes) and the Intermezzo from Bizet's second L'Arlésienne Suite (using the text of the Agnus Dei). The role of the orchestra (the excellent ensemble Capricorn) has been expanded, and Edward Higginbottom himself has arranged a delicious string ...

Christmas with The Three Tenors
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Christmas with The Three Tenors

(more) »rank: 112027

from: Delta


: :Building on the enormous success of the first Agnus Dei disc, its successor offers more of the same musical mood, but with a few surprises too. One of the hits of the first album was John Cameron's arrangement of Elgar's Nimrod, using the words of the Lux Aeterna. Here he really rolls his sleeves up and similarly tackles the Albinoni-Giazzoto Adagio (using the words of the Beatitudes) and the Intermezzo from Bizet's second L'Arlésienne Suite (using the text of the Agnus Dei). The role of the orchestra (the excellent ensemble Capricorn) has been expanded, and Edward Higginbottom himself has arranged a delicious string ...

Classic Branford Marsalis
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Classic Branford Marsalis

(more) »rank: 17485

from: Sony Bmg Europe


:Album Description:World-renowned saxophonist Branford Marsalis, has always been a man of numerous musical interests. The three-time Grammy winner, known for his innovative spirit and broad musical scope, is equally at home on the stages of the world's greatest jazz clubs as major concert halls. It is the latter platform which inspires Classic Branford Marsalis; a fascinating and diverse collection of his best-loved classical tracks, from Ravel's Pavane to Faur 's 'Pie Jesu', from Stravinsky's charming Pastorale to Rachmaninoff's Vocalise to the haunting Aria from Bachianas Brasileiras No.5 by Villa-Lobos.


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Wonderful Town is a terrifically fun musical, but do you really need this recording? The answer will be yes if you fall within one of these two categories: (a) You collect recordings of the show and must own them all or (b) you're a huge fan of Brooke Shields. The actress replaced Donna Murphy in the lead role of the 2003 Broadway revival, and did a creditable job bringing Ruth Sherwood to gawky life during her five-month run. Shields performs over the same instrumental tracks you can hear on the revival's prime recording. (Jennifer Hope Wills replaces Jennifer Westfeldt as Eileen Sherwood; the rest of the cast is unchanged.) From a purely vocal point of view, the switch wasn't an upgrade--Murphy is among Broadway's best stylists after all--though Shields is far from being an embarrassment. She may not have the technique, but her comic gusto is winning. Still, this CD remains for completists only. --Elisabeth Vincentelli

Requiems,Classical
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