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Billy Elliot(more) »rank: 645from: Decca Broadway
:Album Description:Billy Elliot is the heartwarming story of a young boy from a working-class family who discovers a passion that will change his life forever. Eleven-year-old miner's son Billy Elliot is on his way to boxing lessons when he stumbles upon a ballet class. Billy secretly joins the class, knowing that his blue-collar family would never understand. Under the guidance of his teacher Mrs. Wilkinson, Billy's raw talent takes flight. But when his father discovers his son's ambition, Billy must fight for his dreams and his destiny. : Based on the 2000 film about a young British boy who tries to escape a ... |
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Schumann, Handel, Haydn, Telemann: Concertos for Four Horns(more) »rank: 24114from: Naxos
:Album Description:Billy Elliot is the heartwarming story of a young boy from a working-class family who discovers a passion that will change his life forever. Eleven-year-old miner's son Billy Elliot is on his way to boxing lessons when he stumbles upon a ballet class. Billy secretly joins the class, knowing that his blue-collar family would never understand. Under the guidance of his teacher Mrs. Wilkinson, Billy's raw talent takes flight. But when his father discovers his son's ambition, Billy must fight for his dreams and his destiny. : Based on the 2000 film about a young British boy who tries to escape a ... |
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Schütz: Christmas Vespers / McCreesh, Gabrieli Consort and Players(more) »rank: 89053by: Gregorian Chant, Heinrich Schutz, Gabrieli Consort and Players, Paul McCreesh, Charles Daniels, Neal Davies, Andrew Carwood, Susan Hemington Jones, Charles Pott, Simon Grant, Robert Horn, James Johnstone, Kristian Olesen, Choir of Roskilde Cathedral
: :Heinrich Schütz's Christmas Story, besides being a historical milestone, has always been one of 17th-century music's crowd-pleasers--the former because it's the ancestor of Christmas oratorios by Bach, Charpentier, and even Berlioz; the latter because it presents engaging depictions of the characters in the Nativity story with a cornucopia of colorful instruments (piping recorders for the shepherds, a galumphing bassoon (representing the gait of the camels?) for the three wise men, regally blaring cornets for King Herod, and pompous trombones for his priests). As you might expect, there are a number of fine recordings of this proto-oratorio, from the graceful and somewhat delicate rendition ... |
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Adagio: A Windham Hill Collection(more) »rank: 74374from: RCA
: :Adagio follows in the rosin-dusted footsteps of The Impressionists, A Different Mozart, and A Different Prelude. As with those releases, it was produced by Dawn Atkinson and features many of the same artists. The results are as varied as the musicians. Violinist Tracy Silverman cuts one of his patented echo-delayed pizzicato violin arrangements of a Bach arioso, while Patrick O'Hearn drapes a somber keyboard shroud around the Adagio from Rodrigo's Fantasy for a Gentleman. Jeff Johnson and Brian Dunning find the Celtic air in the Adagio from Handel's Sonata in G, while Philip Aaberg discovers infinity between the notes of Barber's ubiquitous Adagio ... |
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Christmas Mass in Rome(more) »rank: 97466from: Polygram Records
: :Adagio follows in the rosin-dusted footsteps of The Impressionists, A Different Mozart, and A Different Prelude. As with those releases, it was produced by Dawn Atkinson and features many of the same artists. The results are as varied as the musicians. Violinist Tracy Silverman cuts one of his patented echo-delayed pizzicato violin arrangements of a Bach arioso, while Patrick O'Hearn drapes a somber keyboard shroud around the Adagio from Rodrigo's Fantasy for a Gentleman. Jeff Johnson and Brian Dunning find the Celtic air in the Adagio from Handel's Sonata in G, while Philip Aaberg discovers infinity between the notes of Barber's ubiquitous Adagio ... |
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Giovanni Gabrieli: Music For San Rocco(more) »rank: 117734from: Archiv Produktion
: essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities imaginable, such as six low voices and six sackbuts (early relatives of the trombone) in the extraordinary Suscipe ... |
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The Mozart Variations(more) »rank: 32002from: Windham Hill Records
: :Stately and subdued, Mozart Variations joins The Impressionists and Bach Variations as interpretive projects involving Windham Hill artists and a gathering of guest performers. The disc's overall mood is largely reverential, though its periodic departures from tradition are surprisingly successful. Mike Marshall's mandolin-driven 'Allegro from the Serenade #13 'Eine Kleine Nachtmusic'' is a dignified charmer, and William Coulter's Celtic embellishments give 'Theme from Symphony #40' a lively, unexpected spin. John Lee Sanders engineers perhaps the album's biggest left turn by applying a restrained soprano saxophone to 'Et In Carnatus Est (from Mass in C Minor).' Arrangements that most effectively intertwine classical and contemporary ... |
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Mahler: Symphony No. 4 [Hybrid SACD](more) »rank: 46529from: San Francisco Sym
: :Stately and subdued, Mozart Variations joins The Impressionists and Bach Variations as interpretive projects involving Windham Hill artists and a gathering of guest performers. The disc's overall mood is largely reverential, though its periodic departures from tradition are surprisingly successful. Mike Marshall's mandolin-driven 'Allegro from the Serenade #13 'Eine Kleine Nachtmusic'' is a dignified charmer, and William Coulter's Celtic embellishments give 'Theme from Symphony #40' a lively, unexpected spin. John Lee Sanders engineers perhaps the album's biggest left turn by applying a restrained soprano saxophone to 'Et In Carnatus Est (from Mass in C Minor).' Arrangements that most effectively intertwine classical and contemporary ... |
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Venetian Vespers (Monteverdi * Rigatti * Grandi * Cavalli) /Gabrieli Consort & Players * McCreesh(more) »rank: 154845by: Research Composer, Giovanni Antonio Rigatti, Alessandro Grandi, Claudio Monteverdi, Adriano Banchieri, Giacomo Finetti, Pietro Francesco Cavalli, Anonymous, Gregorian Chant, Biagio Marini, Gabrieli Consort, Charles Daniels, Paul McCreesh, Alison Wray, Jonathan Best, Tessa Bonner, Angus Smith, Peter Harvey, Robert Horn, Paula Chateauneuf, Timothy Roberts, Susan Hemington Jones, Fred Jacobs, Celia Harper, Charles Pott, Florian Deuter, Gabrieli Players
: essential recording:Paul McCreesh's second major recording (and second Gramophone Award winner) reconstructs Vespers for the Feast of the Annunciation at San Marco circa 1643, using music by Monteverdi and contemporaries including Cavalli, Grandi, and Rigatti. The music is less dense and lavishly scored than on A Venetian Coronation, but more virtuosic and varied--ranging from Finetti's sweet, languid 'O Maria, quæ rapis' for two falsettists and Monteverdi's lively 'Laudate Dominum' for solo tenor, to Marini's sensuous sonata for three violins and Monteverdi's spectacular 'Lætatus sum' for six singers, two violins, two trombones, and bassoon over a repeated four-note bass. There is so much ... |
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Different Mozart(more) »rank: 16388from: Philips
: essential recording:Paul McCreesh's second major recording (and second Gramophone Award winner) reconstructs Vespers for the Feast of the Annunciation at San Marco circa 1643, using music by Monteverdi and contemporaries including Cavalli, Grandi, and Rigatti. The music is less dense and lavishly scored than on A Venetian Coronation, but more virtuosic and varied--ranging from Finetti's sweet, languid 'O Maria, quæ rapis' for two falsettists and Monteverdi's lively 'Laudate Dominum' for solo tenor, to Marini's sensuous sonata for three violins and Monteverdi's spectacular 'Lætatus sum' for six singers, two violins, two trombones, and bassoon over a repeated four-note bass. There is so much ... |


DVD features
Yes, the unrated edition of The Dukes of Hazzard has nudity... but no, it's not of Jessica Simpson, but topless sorority girls. There are also two sets--"PG-13" and "unrated"--of deleted scenes and bloopers. The four minutes of unrated deleted scenes (supplementing the 25 minutes of "PG-13" deleted scenes) include more sorority girls and a menage à trois for Johnny Knoxville . The five minutes of unrated bloopers (the same amount as the "PG-13" bloopers) feature a few more girls but mostly bad language. Featurettes discuss the Daisy Duke short shorts (and show how you can make your own), car stunts, and the making of the movie (narrated by a cast member of the original TV series). --David Horiuchi