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Donizetti - La Fille du Régiment / Sutherland, Pavarotti, Malas, Sinclair, ROH Covent Garden, Bonynge
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Donizetti - La Fille du Régiment / Sutherland, Pavarotti, Malas, Sinclair, ROH Covent Garden, Bonynge

(more) »rank: 10313

by: Gaetano Donizetti, Richard Bonynge, Joan Sutherland, Luciano Pavarotti, Orchestra and Chorus of The Royal Opera House Covent Garden, Monica Sinclair, Spiro Malas, Eric Garrett, Edith Coates


: essential recording:This opera, about an orphan girl who is adopted by a whole regiment of Napoleon's army (meaning that anyone who wants to marry her must get the regiment's consent) combines sparkling comedy with spectacular vocal writing--not only for the soprano but for the tenor who, in one legendary passage, must produce nine high Cs in quick succession. Pavarotti's performance in this production, fairly early in his career, ranks with his Nemorino in L'Elisir d'amore, among the best of his recording career. Sutherland finds the role of Marie congenial, in terms of characterization as well as vocally, and the conducting is generally ...

Handel - Julius Caesar / Treigle · Sills · Forrester · Wolff · NYCO · Rudel
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Handel - Julius Caesar / Treigle · Sills · Forrester · Wolff · NYCO · Rudel

(more) »rank: 60568

by: George Frideric Handel, Julius Rudel, Beverly Sills, Norman Treigle, Maureen Forrester, Spiro Malas, Michael Devlin, Eugenia Earle, Beverly Wolff, William Beck, Dominic Cossa, New York City Opera Chorus and Orchestra


: essential recording:This opera, about an orphan girl who is adopted by a whole regiment of Napoleon's army (meaning that anyone who wants to marry her must get the regiment's consent) combines sparkling comedy with spectacular vocal writing--not only for the soprano but for the tenor who, in one legendary passage, must produce nine high Cs in quick succession. Pavarotti's performance in this production, fairly early in his career, ranks with his Nemorino in L'Elisir d'amore, among the best of his recording career. Sutherland finds the role of Marie congenial, in terms of characterization as well as vocally, and the conducting is generally ...

Donizetti: L'Elisir d'Amore
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Donizetti: L'Elisir d'Amore

(more) »rank: 24929

from: Decca


: essential recording:This opera, about an orphan girl who is adopted by a whole regiment of Napoleon's army (meaning that anyone who wants to marry her must get the regiment's consent) combines sparkling comedy with spectacular vocal writing--not only for the soprano but for the tenor who, in one legendary passage, must produce nine high Cs in quick succession. Pavarotti's performance in this production, fairly early in his career, ranks with his Nemorino in L'Elisir d'amore, among the best of his recording career. Sutherland finds the role of Marie congenial, in terms of characterization as well as vocally, and the conducting is generally ...

Robert Ward: The Crucible
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Robert Ward: The Crucible

(more) »rank: 81776

from: Albany Records


: essential recording:This opera, about an orphan girl who is adopted by a whole regiment of Napoleon's army (meaning that anyone who wants to marry her must get the regiment's consent) combines sparkling comedy with spectacular vocal writing--not only for the soprano but for the tenor who, in one legendary passage, must produce nine high Cs in quick succession. Pavarotti's performance in this production, fairly early in his career, ranks with his Nemorino in L'Elisir d'amore, among the best of his recording career. Sutherland finds the role of Marie congenial, in terms of characterization as well as vocally, and the conducting is generally ...

Rossini: Semiramide
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Rossini: Semiramide

(more) »rank: 152782

from: Decca


: essential recording:This opera, about an orphan girl who is adopted by a whole regiment of Napoleon's army (meaning that anyone who wants to marry her must get the regiment's consent) combines sparkling comedy with spectacular vocal writing--not only for the soprano but for the tenor who, in one legendary passage, must produce nine high Cs in quick succession. Pavarotti's performance in this production, fairly early in his career, ranks with his Nemorino in L'Elisir d'amore, among the best of his recording career. Sutherland finds the role of Marie congenial, in terms of characterization as well as vocally, and the conducting is generally ...

Donizetti - L'elisir d'amore / Sutherland · Pavarotti · Cossa · Malas · Casula · ECO · Bonynge
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Donizetti - L'elisir d'amore / Sutherland · Pavarotti · Cossa · Malas · Casula · ECO · Bonynge

(more) »rank: 68110

by: Gaetano Donizetti, Richard Bonynge, Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Ambrosian Opera Chorus, Dominic Cossa, Maria Casula


: essential recording:This appealing opera about Nemorino (Pavarotti), a poor young Italian peasant, hopelessly in love with Adina (Sutherland), daughter of a wealthy landowner, has a wealth of comic incidents, mostly based on the character of Dr. Dulcamara, a traveling huckster of patent medicines who sells Nemorino a bottle of wine on the pretext that it is a love potion. It also has some of the most gorgeous melodies of all time, including the tenor favorite 'Una furtiva lagrima,' and a sentimental happy ending that brings out the best in Sutherland's temperament. The singing is gorgeous (this may go into history as Pavarotti's ...

Johann Strauss Jr.: Die Fledermaus
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Johann Strauss Jr.: Die Fledermaus

(more) »rank: 117590

from: Bella Voce Records


: essential recording:This appealing opera about Nemorino (Pavarotti), a poor young Italian peasant, hopelessly in love with Adina (Sutherland), daughter of a wealthy landowner, has a wealth of comic incidents, mostly based on the character of Dr. Dulcamara, a traveling huckster of patent medicines who sells Nemorino a bottle of wine on the pretext that it is a love potion. It also has some of the most gorgeous melodies of all time, including the tenor favorite 'Una furtiva lagrima,' and a sentimental happy ending that brings out the best in Sutherland's temperament. The singing is gorgeous (this may go into history as Pavarotti's ...

Puccini: Tosca / Te Kanawa, Aragall, Nucci, Sir Georg Solti
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Puccini: Tosca / Te Kanawa, Aragall, Nucci, Sir Georg Solti

(more) »rank: 177855

by: Giacomo Puccini, Kiri Te Kanawa, Leo Nucci, Giacomo Aragall, Georg Solti, Ivo Martinez, Orchestra of the Royal Opera House, Malcolm King, Spiro Malas


: essential recording:This appealing opera about Nemorino (Pavarotti), a poor young Italian peasant, hopelessly in love with Adina (Sutherland), daughter of a wealthy landowner, has a wealth of comic incidents, mostly based on the character of Dr. Dulcamara, a traveling huckster of patent medicines who sells Nemorino a bottle of wine on the pretext that it is a love potion. It also has some of the most gorgeous melodies of all time, including the tenor favorite 'Una furtiva lagrima,' and a sentimental happy ending that brings out the best in Sutherland's temperament. The singing is gorgeous (this may go into history as Pavarotti's ...

Haydn: Orfeo ed Euridice
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Haydn: Orfeo ed Euridice

(more) »rank: 221324

from: Myto Records Italy


: essential recording:This appealing opera about Nemorino (Pavarotti), a poor young Italian peasant, hopelessly in love with Adina (Sutherland), daughter of a wealthy landowner, has a wealth of comic incidents, mostly based on the character of Dr. Dulcamara, a traveling huckster of patent medicines who sells Nemorino a bottle of wine on the pretext that it is a love potion. It also has some of the most gorgeous melodies of all time, including the tenor favorite 'Una furtiva lagrima,' and a sentimental happy ending that brings out the best in Sutherland's temperament. The singing is gorgeous (this may go into history as Pavarotti's ...

Rossini: Semiramide
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Rossini: Semiramide

(more) »rank: 194674

from: Polygram Int'l


: :For golden-throated singing, it would be hard to top this classic recording, featuring two great divas at the height of their powers; for a working definition of the term 'bel canto,' just listen to Joan Sutherland and Marilyn Horne as they make coloratura magic. Never mind the male singers in this recording, though; they're adequate, but, then, they're not the point. Sutherland's Semiramide is a tad maternal in her character, but the singing makes up for any shortcomings there, while Horne is clearly having the time of her life as the warrior Arsace. Richard Bonynge conducts optimally for his singers. For many years ...


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