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Best Carols 100
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Best Carols 100

(more) »rank: 4309

from: EMI Classics


:Album Description:2007 release in the Best Classics 100 series, 100 Best Carols is the perfect Christmas release-- six CDs of the most famous carols, all time for the price of one full-priced disc! Among the vocal groups found on this release are the Choir of King's College, Cambridge, the Taverner Choir, the Bach Choir, and the Wiener Sangerknaben, while star soloists include Roberto Alagna, Thomas Hampson, Barbara Hendricks, Hermann Prey, and Kiri Te Kanawa.

Christmas Carols
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Christmas Carols

(more) »rank: 125395

from: Virgin Classics


:Album Description:2007 release in the Best Classics 100 series, 100 Best Carols is the perfect Christmas release-- six CDs of the most famous carols, all time for the price of one full-priced disc! Among the vocal groups found on this release are the Choir of King's College, Cambridge, the Taverner Choir, the Bach Choir, and the Wiener Sangerknaben, while star soloists include Roberto Alagna, Thomas Hampson, Barbara Hendricks, Hermann Prey, and Kiri Te Kanawa.

Bach: Magnificat; Easter Oratorio
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Bach: Magnificat; Easter Oratorio

(more) »rank: 17411

by: Johann Sebastian Bach, Andrew Parrott, Emma Kirkby, Emily van Evera, Taverner Consort and Players, Evelyn Tubb, Margaret Cable, Stephen Charlesworth, Wilfried Jochens, Howard Crook, Simon Grant, Charles Daniels, Peter Kooy, David Thomas, Caroline Trevor


: :Andrew Parrott was the first conductor to adopt Joshua Rifkin's controversial one-singer-per-part approach to Bach's 'choral' music (other than Rifkin himself, that is). This very reasonably priced reissue sees Parrott applying the approach to four of Bach's most popular sacred works. On the whole, Parrott and his ensemble make a good case for both one-per-part practice and their own performances. Once the ear adjusts, the balance is excellent: the vocal parts don't dominate the orchestra (as many listeners accustomed to a chorus expect); they are equal partners with it--which suits Bach's intricate and often dense writing for instruments and voices. In the Magnificat, ...

Mozart - Idomeneo / Rolfe Johnson · von Otter · Martinpelto · McNair · N. Robson · Winslade · EBS · Gardiner
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Mozart - Idomeneo / Rolfe Johnson · von Otter · Martinpelto · McNair · N. Robson · Winslade · EBS · Gardiner

(more) »rank: 33371

by: Wolfgang Amadeus Mozart, John Eliot Gardiner, Anthony Rolfe Johnson, Anne Sofie von Otter, English Baroque Soloists, Hillevi Martinpelto, Sylvia McNair, Nigel Robson, Glenn Winslade


: :Andrew Parrott was the first conductor to adopt Joshua Rifkin's controversial one-singer-per-part approach to Bach's 'choral' music (other than Rifkin himself, that is). This very reasonably priced reissue sees Parrott applying the approach to four of Bach's most popular sacred works. On the whole, Parrott and his ensemble make a good case for both one-per-part practice and their own performances. Once the ear adjusts, the balance is excellent: the vocal parts don't dominate the orchestra (as many listeners accustomed to a chorus expect); they are equal partners with it--which suits Bach's intricate and often dense writing for instruments and voices. In the Magnificat, ...

Lancaster and Valois: French & English Music, ca. 1350-1420
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Lancaster and Valois: French & English Music, ca. 1350-1420

(more) »rank: 150982

from: Hyperion UK


: :Andrew Parrott was the first conductor to adopt Joshua Rifkin's controversial one-singer-per-part approach to Bach's 'choral' music (other than Rifkin himself, that is). This very reasonably priced reissue sees Parrott applying the approach to four of Bach's most popular sacred works. On the whole, Parrott and his ensemble make a good case for both one-per-part practice and their own performances. Once the ear adjusts, the balance is excellent: the vocal parts don't dominate the orchestra (as many listeners accustomed to a chorus expect); they are equal partners with it--which suits Bach's intricate and often dense writing for instruments and voices. In the Magnificat, ...

The Firebrand of Florence
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The Firebrand of Florence

(more) »rank: 225287

from: Original Cast Record


: :Andrew Parrott was the first conductor to adopt Joshua Rifkin's controversial one-singer-per-part approach to Bach's 'choral' music (other than Rifkin himself, that is). This very reasonably priced reissue sees Parrott applying the approach to four of Bach's most popular sacred works. On the whole, Parrott and his ensemble make a good case for both one-per-part practice and their own performances. Once the ear adjusts, the balance is excellent: the vocal parts don't dominate the orchestra (as many listeners accustomed to a chorus expect); they are equal partners with it--which suits Bach's intricate and often dense writing for instruments and voices. In the Magnificat, ...

Barber: Vanessa [Multi-Ch/Stereo]
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Barber: Vanessa [Multi-Ch/Stereo]

(more) »rank: 27642

from: Chandos


: :This new recording of Vanessa replaces even the excellent original 1958 set on RCA, let alone the not-bad, recent Naxos recording, as first choice. As fine and authentic as the RCA is (it's also of interest because it presents the opera's original version, without the 1964 revisions), here we get a recording so pristine and clear that almost every word can be understood--all the more important for an opera in which there are great subtleties in the characters' interactions. In addition, Susan Graham's performance of Erika here becomes the touchstone--conflicted, loving, angry--and tenor William Burden as Anatol is so smooth that it's easy ...

Britten: Death in Venice
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Britten: Death in Venice

(more) »rank: 206055

from: Chandos


: :This new recording of Vanessa replaces even the excellent original 1958 set on RCA, let alone the not-bad, recent Naxos recording, as first choice. As fine and authentic as the RCA is (it's also of interest because it presents the opera's original version, without the 1964 revisions), here we get a recording so pristine and clear that almost every word can be understood--all the more important for an opera in which there are great subtleties in the characters' interactions. In addition, Susan Graham's performance of Erika here becomes the touchstone--conflicted, loving, angry--and tenor William Burden as Anatol is so smooth that it's easy ...

The Medieval Romantics: French Songs and Motets, 1340-1440
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The Medieval Romantics: French Songs and Motets, 1340-1440

(more) »rank: 245060

from: Hyperion UK


: :There are a few ensembles that you can count on consistently to deliver performances of the highest quality. Gothic Voices fit that description, and their many recordings of medieval music are invariably among the finest in the catalog. This disc, with its seemingly oxymoronic title, reveals aspects of 14th-century French music that suggest the term romantic is absolutely correct. Director Christopher Page's lucid liner notes explain,'if Romanticism implies a taste for beauty touched by strangeness, and if it is associated with a desire to expand the resources of musical language (especially harmony) . . . then the second half of the 14th century ...

Bach: St. John Passion; Mass in B Minor; Easter Oratorio; Ascension Oratorio
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Bach: St. John Passion; Mass in B Minor; Easter Oratorio; Ascension Oratorio

(more) »rank: 36957

from: EMI Classics


: :There are a few ensembles that you can count on consistently to deliver performances of the highest quality. Gothic Voices fit that description, and their many recordings of medieval music are invariably among the finest in the catalog. This disc, with its seemingly oxymoronic title, reveals aspects of 14th-century French music that suggest the term romantic is absolutely correct. Director Christopher Page's lucid liner notes explain,'if Romanticism implies a taste for beauty touched by strangeness, and if it is associated with a desire to expand the resources of musical language (especially harmony) . . . then the second half of the 14th century ...


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by York Membery

Average customer rating: 3.5 ISBN: 0233992901

by Michael Ondaatje, Ralph Fiennes
$15.61

Average customer rating: 4.0 ISBN: 0739343947
Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in an Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.

A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.


Charlesworth,Music Stephen
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