Bestsellers > Classical Music > Te Deum
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Howells: Requiem; Take Him, Earth, for Cherishing / Vaughan Williams: Mass in G Minor; Te Deum in G(more) »rank: 278585by: Matthew Best, Jonathan Best, Michael Chance, Thomas Trotter, Janet Coxwell, Mary Seers, Philip Salmon, Herbert Howells, Ralph Vaughan Williams, Corydon Singers
: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ... |
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William Croft at St. Paul's(more) »rank: 414161from: Hyperion UK
: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ... |
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Bruckner: Masses(more) »rank: 414161from: Brilliant
: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ... |
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Charpentier: Te Deum / Christie, Les Arts Florissants(more) »rank: 802350by: Marc-Antoine Charpentier, Véronique Gens, Jean-Paul Fouchecourt, William Christie
: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ... |
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Whitlock: Communion Service in G; Solemn Te Deum(more) »rank: 1039172from: Priory Records UK
: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ... |
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Credo: 1000 Years of Sacred Music (Box Set)(more) »rank: 1039172from: Musica di Angeli
: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ... |
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Erik Den Heliges Hystoria(more) »rank: 1242565from: Musica Sveciae
: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ... |
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Ravel: Shéhérazade: Berlioz: Te Deum; Dvorak: Serenata(more) »rank: 1037171from: Melodram
: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ... |
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Creator Spirit: A 20th Century Choral Anthology(more) »rank: 879224from: Guild
: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ... |
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Berlioz: Te Deum(more) »rank: 76450from: Polygram Records
: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ... |

A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.