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Bestsellers > Classical Music > Te Deum

Howells: Requiem; Take Him, Earth, for Cherishing / Vaughan Williams: Mass in G Minor; Te Deum in G
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Howells: Requiem; Take Him, Earth, for Cherishing / Vaughan Williams: Mass in G Minor; Te Deum in G

(more) »rank: 278585

by: Matthew Best, Jonathan Best, Michael Chance, Thomas Trotter, Janet Coxwell, Mary Seers, Philip Salmon, Herbert Howells, Ralph Vaughan Williams, Corydon Singers


: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ...

William Croft at St. Paul's
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William Croft at St. Paul's

(more) »rank: 414161

from: Hyperion UK


: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ...

Bruckner: Masses
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Bruckner: Masses

(more) »rank: 414161

from: Brilliant


: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ...

Charpentier: Te Deum / Christie, Les Arts Florissants
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Charpentier: Te Deum / Christie, Les Arts Florissants

(more) »rank: 802350

by: Marc-Antoine Charpentier, Véronique Gens, Jean-Paul Fouchecourt, William Christie


: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ...

Whitlock: Communion Service in G; Solemn Te Deum
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Whitlock: Communion Service in G; Solemn Te Deum

(more) »rank: 1039172

from: Priory Records UK


: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ...

Credo: 1000 Years of Sacred Music (Box Set)
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Credo: 1000 Years of Sacred Music (Box Set)

(more) »rank: 1039172

from: Musica di Angeli


: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ...

Erik Den Heliges Hystoria
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Erik Den Heliges Hystoria

(more) »rank: 1242565

from: Musica Sveciae


: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ...

Ravel: Shéhérazade: Berlioz: Te Deum; Dvorak: Serenata
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Ravel: Shéhérazade: Berlioz: Te Deum; Dvorak: Serenata

(more) »rank: 1037171

from: Melodram


: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ...

Creator Spirit: A 20th Century Choral Anthology
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Creator Spirit: A 20th Century Choral Anthology

(more) »rank: 879224

from: Guild


: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ...

Berlioz: Te Deum
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Berlioz: Te Deum

(more) »rank: 76450

from: Polygram Records


: :Even the manner and structure of the performing forces--double choir, a cappella--clearly indicates that Vaughan Williams's venerable Mass in G Minor, premiered in 1922, is a throwback, perhaps to Bach, Gabrieli, or one of the great 16th-century English masters. In fact, there are many influences at work in this fusion of ancient chant style and austere modal harmony with a more modern, expansive structural concept. The writing style elicits a characterful confidence typical of much of Vaughan Williams's music--born of early 20th century English colonial pride and the remnants of 19th-century Romanticism. The younger Howells composed his Requiem in 1936, and although it's ...


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by York Membery

Average customer rating: 3.5 ISBN: 0233992901

by Michael Ondaatje, Ralph Fiennes
$15.61

Average customer rating: 4.0 ISBN: 0739343947
Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in an Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.

A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.


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